Ham,
You mean love
-Ron



________________________________
From: Ham Priday <[email protected]>
To: [email protected]
Sent: Thursday, June 25, 2009 4:40:19 PM
Subject: Re: [MD] Why the quality of the modern world is no good.


Platt, Carl, and All --


On Mon, Jun 22, 2009 at 1:54 PM, John Carl paraphrased Mansanobu's refutation 
of Reductionism:
> Science taking Nature apart to try and understand it is like
> a Dr. analyzing the beauty of a woman by dissecting her.
> Where did the beauty go?

To which Platt asked:
> Not only where did the beauty go, but where did the beauty
> come from? As usual, science has no answer nor any capability
> of discovering an answer. Something besides quarks, leptons
> and bosons is going on. I nominate the creative force of DQ.

Platt also pointed us to Roger Scruton's essay on "Beauty and Desecration." 
Scruton has some interesting things to say about Beauty as related to the art 
world.  Here are a few that caught my attention:

"There is a great hunger for beauty in our world, a hunger that our popular art 
fails to recognize and our serious art often defies."

"[O]ur human need for beauty is not simply a redundant addition to the list of 
human appetites. It is not something that we could lack and still be fulfilled 
as people. It is a need arising from our metaphysical condition as free 
individuals, seeking our place in an objective world."

"Every now and then . . . we are jolted out of our complacency and feel 
ourselves to be in the presence of something vastly more significant than our 
present interests and desires. We sense the reality of something precious and 
mysterious, which reaches out to us with a claim that is, in some way, not of 
this world."

Edgar Allan Poe once rhapsodized in a similar vein about Beauty:

"We have still a thirst unquenchable, to allay which [man] has not shown us the 
crystal springs.  This thirst belongs to the immortality of Man.  It is at once 
a consequence and an indication of his perennial existence.  It is the desire 
of the moth for the star.  It is no mere appreciation of the Beauty before us - 
but a wild effort to reach the Beauty above.  Inspired by an ecstatic 
prescience of the glories beyond the grave, we struggle, by multiform 
combinations among the things and thoughts of Time, to attain a portion of that 
Loveliness whose very elements, perhaps, appertain to eternity alone.  And thus 
when by Poetry - or when by Music, the most entrancing of the Poetic moods - we 
find ourselves melted into tears - we weep then - not as the Abbate Gravina 
supposes - through excess of pleasure, but through a certain, petulant, 
impatient sorrow at our inability to grasp now, wholly, here on earth, at once 
and for ever, those divine and
 rapturous joys, of which through the poem, or through the music, we attain to 
but brief and indeterminate glimpses."  - [E. A. Poe: The Poetic Principle]

Depending on our esthetic sensibility, Beauty has substantial value to us. 
Pirsig correctly pointed out that value is not centered in either the subject 
or the object but transcends both.  This is as meaningful a clue as any to the 
true nature of Beauty.

To answer Platt's question, "Where does beauty come from?", it comes from our 
sensibility to Value.  Specifically, it is our realization that the substantive 
essence of our reality is beyond the finite world of existence. Man's exquisite 
sense of symmetry, stability, and goodness is the value of the essential Source 
from which he is estranged.  The awe and rapture we feel when we are in harmony 
with this Essence is imparted to the discrete objects and events which manifest 
the uncreated source in our experience. This, I submit to you, is what we sense 
as Beauty.

Respectfully,
Ham

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