Hi, Tuukka Virtaperko -

The artistic accomplishment is instrumentally a great philosophical accomplishment, because given teh prevailing academic atmosphere, few would have cared of Pirsig's thoughts unless one of the books, which communicate these thoughts, would have been a best seller.

What a shame, eh? I think it's wonderful how he gave us a solid demonstration of "Quality in Freshman Composition," right in our hands. A post-modern person could do a lot about the non-hard-edged self-reference aspects of ZAMM. Again, Godel comes to mind.

If one does not readily speak the language and think the thoughts that are required in the academy, one must turn himself into a big thing outside the academy before the academy will recognize his effort.

A silly thing about the Academy. Silly, silly. As soon as I began reading about the MOQ, I thought "Oh!" It seemed refreshing as a spring breeze. I might grouse about this and that, but at its core it's sound and health-giving. If Bob is still worried about not being taken seriously by the Academy, he shouldn't. It speaks well of him that he isn't, but in times to come he will be. That's why I like the outriders, like Watts or Nietzsche or Stirner or Rand.

Instead, it can approach the culture surrounding the work as an anthropological phenomenon.

Reminds me of a certain Metaphysics that speaks Social with Intellectual patterns. : p

many capable people before Pirsig

Does he have any predecessors that come to mind? I think he's hit well on the Western Tao.

One of my favorite moments in ZAMM is where it's realized that the DeWeeses, as Romantics, look with some horror upon technology and feel it's got a death force in it. Brilliant! Rousseau takes it on the chin there. One reason I like Rand (again) and Camille Paglia. I extend that realization into economics wholesale.


MRB
http://www.fuguewriter.com
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