[carrie]
hi ron,

[Krimel]
Hi welcome aboard but as you can see I am Krimel. Ron is X.

[carrie]
sorry to butt in.  I was really enjoying your explanation of terms.  I'm
somewhat new to philosophy, the worst kind of dilettante, an english major
drop out who married a professor and had babies (grin) but I got stuck
understanding your explanation of chaos:

[Krimel]
Don't be sorry. That's what forum's for.

Chaos:
> I have tried a zillion time to explain this here and seem to have failed.
> Let's try this one from Nietzsche,
>
> "The overall character of the world is, for all eternity, chaos; not 
> in the sense that it lacks necessity, but rather in the sense that it 
> lacks order, articulation , form , beauty , wisdom , and whatever else 
> our aesthetic anthropomorphisms might say." All of those things: lacks 
> order, articulation, form , beauty , wisdom and not discovered in the 
> world around us. They are invented by us in our ceaseless "aesthetic
anthropomorphism.""
>
>
Ok what did he mean that it has necessity, and yet is chaotic?  And I don't
quite get what he means by "invented by us" and yet not real.  Aren't our
inventions, isn't all of reality in fact, experience through our
inventiveness?  It sounds wrong somehow.

[Krimel]
The terms chaos and randomness do not mean that things happen for no reason
or are not determined. If you flip a coin the outcome will be random, and
yet entirely determined by the laws of physics. At least that is one way to
put it and a way that Nietzsche wouldn't. He had an aversion to the whole
idea of causal chains of determinism. Determinism by the mid-1880's was
claiming that if we knew the position and velocity of every particle in the
universe we could calculate the entire history of the universe both past and
present. This was articulated by Laplace who when, asked about God, replied,
"I have no need of that hypothesis."
Nietzsche wasn't buying the God hypothesis either but he thought science was
no better. In fact his chief complaint against science was that after having
disposed of the theological Absolute, science was doing nothing more than
building a new set of Absolutes in the form of the "Law of Science."
Nietzsche thought this was absurd because every Absolute formulation did
little more than answer questions asked in a purely human voice. How could
such a fleeting beings expect satisfaction from Absolute answers. That is
what he meant by "aesthetic anthropomorphism." We only ask human question
and we only get human answers. It is a bit like the drunk looking for his
car keys under a street lamp because that is where he finds enough light to
see.
This, Nietzsche thought was as just as absurd for the scientist as the
drunks. Nietzsche thought the "universe" the entire cosmic order was
meaningless and purposeless. But he thought that eventually people could
come to understand how liberating and joyous this could be.
This is what he means by chaos, meaningless and devoid of purpose. But chaos
is not without necessity. Necessity just means thing have to happen in a
certain way and not some other. In this way "chains of causality" are
replaced with webs or networks of influence. To use another alcohol related
example: in Newton's world physical and mathematical laws determine how
billiard balls will bounce around and collide on a pool table. But for
Nietzsche these laws cannot determine the outcome of a game of pool. Winning
a game of pool does involve certain physical and mathematical relationships
but is also influenced by the amount of alcohol consumed in proposition to
the attractiveness of the spectators, or the amount of light available in
the bar and the volume of the Jukebox in fact everything in the environment
of the pool table has some influence on who wins.

Pirsig shows a dim apprehension of this, even though he can't resist
anthropomorphizing, when he says, "Biological evolution can be seen as a
process by which weak Dynamic forces at a subatomic level discover
stratagems for overcoming huge static inorganic forces at a superatomic
level. They do this by selecting superatomic mechanisms in which a number of
options are so evenly balanced that a weak Dynamic force can tip the balance
one way or another."

He highlights the affinity, I would say identity of DQ and chaos when he
says, "To cling to Dynamic Quality alone apart from any static patterns is
to cling to chaos." A quote that lies outside the orthodox cannon of the
MoQ. Much like this one: "It doesn't make any sense. It seems to say that
all life is headed toward chaos, since chaos is the only alternative to
structural patterns that a law-bound metaphysics can conceive." 
It is pretty clear that Pirsig doesn't understand chaos the way Nietzsche
and the chaos theorists do, he shares your confusion and you can hear it
when he says, "It doesn't make sense." The same dim apprehension and
withdrawal are also here: "a 'Metaphysics of Quality' is essentially a
contradiction in terms, a logical absurdity. It would be almost like a
mathematical definition of randomness. The more you try to say what
randomness is the less random it becomes."
I would say he gets it right both times and just wanted to avoid terminology
likely to produce the kind of confusion you experienced. But I don't claim
to speak for Pirsig only to voice my reading of him. As you will soon see
this is likely to provoke a chorus of sycophants reading from their
catechism.

Never-the-less, I hope that helped.
By the way, thanks for noticing the poem in the other thread. Anytime you
see poetry in my posts the author is really Case. He is a Bard and jumps in
from time to time when I am not looking. I am a Wizard and have little
patience for such vagary. But in the off chance that you were sincere and
because you mentioned it Case has urged me to include what follows with a
brief explanation. I only agreed because it does sort of get to the issue at
hand. Generally speaking I prefer to just blow stuff up.

This is about a communal ritual of prayer to the Goddess of Chaos and
Discord, Eris, the patron of the followers of the Discordian Revelation. A
dervish is a Sufi Mystic. I think they smoke a lot of hash and spin around
in circles. The last line is an allusion to the quote Horse used to attach
to the end of his e-mails.
You might try reading it out loud...

Tossing a coin before the Rose Bowl
Is a communal prayer to Eris.
The spinning coin../\/\/.o0o.o0o.o0o.
That``` 
That--- 
That___
Deterministic'''
Dynamic;;;
Dervish,,, 
Dancing::: 
For the... Goddess of Strife.
Watch! 
You might See
A sphere of edges;
The concentric radii of milling
Mirrored glimmers of
Stadium light... 
Reflected colored jerseys...
Mascots and totems...
A shimmering skin of photons
The texture of all likelihoods
Rolled into a ball.
In spin
Head and tail
Become One. 
Mullet?

When Eris has had her way with him
The Dervish lies spent. 
Between the wrist and palm of the
Field's highest moral authority.
The call to Eris is made;
A question asked by the Assembled;
Pledged to her will.
Every fan calls to her in a different way.
Lokiiii
Lilithhhh 
Lady Luckckckck
Anansiiii 
Buddhaaaa 
Motherrrrr 
Puck
In this ecumenical moment,
All prayers are answered.
There's consensual satisfaction.

The deed of the Dervish
Is a ritual deed.
His spinning for a communal need.
To grant a boon
To steal a choice
We must speak
With a Common Voice
So the Dervish prays of Eris
That she take her leave
And all the Strife and Discord
Hidden up her sleeve.
The Ref gestures the will of Eris.
A Stadium of supplicants
Shout praises to
She who fixes Fate.
The Ref pockets the dervish;
A piece of loose change
Clinking, "Wow, what a ride!"

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