Arlo,

> [Arlo]
> Yeah, this is a horribly confused thing to say for someone who claims to "I
> don't misunderstand Pirsig".


Jc:  I believe I understand Pirsig.  I felt like I got him, the first
time I read him, and subsequent readings just improved the
relationship.  There are places where I don't agree.  I've enumerated
them, so why do you say I claim to misunderstand Pirsig?  Surely I've
made it perfectly clear that I disagree with Pirsig in specific areas.
I don't mind somebody arguing against my position, but to repeatedly
argue that "that's Pirsig's position is so completely irrational and
asinine that I don't know what to think.

Probably the fault is mine.  I've been lax lately, in responding
promptly - what with a wedding going off in 5 days and the world cup
to watch, I haven't gotten around to setting you straight.




>
> "Where is art?" Besides in the title of his first book? In Chapter 8 (ZMM),
> Pirsig likens "the art of motorcycle maintenance" to "the art of
> rationality". Here even a casual reader should be able to discern the role
> of "art", something Pirsig makes explicit later on. "Art is high-quality
> endeavor. That is all that really needs to be said. Or, if something more
> high-sounding is demanded: Art is the Godhead as revealed in the works of
> man."
>
> Granger captures the implication here by noticing, "Art is thus a part of
> our most elementary and indigenous mode of being in the world." (John Dewey,
> Robert Pirsig, and the Art of Living)
>
> In LILA, Pirsig clarifies even further the nature of "art" within his MOQ.
> "In a subject-object metaphysics morals and art are worlds apart, morals
> being concerned with the subject quality and art with object quality. But in
> the Metaphysics of Quality that division doesn't exist. They're the same."
> To make his position ultimately clear, he states, "there's a fourth Dynamic
> morality which isn't a code. He supposed you could call it a "code of Art"
> or something like that..."
>
> "Where is art?" Art is Quality revealed in the works of man.
>
> And which works? Just painting, sculpting, dancing? No. ALL works. Art is
> high quality endeavor in philosophy. Art is high quality endeavor in
> motorcycle repair. Art is high quality endeavor in culinary practice. Art is
> high quality endeavor in composition. In assembling rotisseries. In
> sculpting images from clay.
>
> And the goal? As Granger explains it, "In learning to conduct more of
> everyday experience in an artful manner, we increase our ability to liberate
> and expand the potential meanings of things."
>
> Included on Ant's DVD is a 2010 interview with Pirsig, which Ant has titled
> "The MOQ and Art". Here, Pirsig clarifies (again) his position on art. "“I
> agree with Patrick Dourly that this corresponds to Gengrich’s(?) notion of
> "art as mastery".  He does not think of art as an object (I think that was
> his first sentence) and neither does Zen and the Art of Motorcycle
> Maintenance or my ideas of the Metaphysics of Quality.  Art is endeavor."
>
> I'm just going to encourage you to get this DVD, so I won't copy more than
> this one paragraph, which I think reflects precisely what Pirsig has already
> elaborated on in his earlier works.
>
> "Oh, art as placed in the levels of evolution.  Well, if you read the
> Metaphysics of Quality, you know there are four levels of evolution: the
> Inorganic, the Biological, the Social, and the Intellectual.  And art is a
> mixture of all of those with Dynamic Quality if it’s really art – not – I
> say mixture - I don’t say it’s completely Dynamic Quality.  Finger painting
> by a two year old is Dynamic.  But it’s a mixture of somebody who knows how
> to satisfy the art traditions of history but at the same time has a
> direction that he wants to go on his own to some extent, so he’s not a
> complete copy-cat and he’s not a complete wild-man – he’s in between.  And,
> the amount of Dynamic Quality should not be overcome by Intellectual
> Quality, by these static patterns.  At the same time, the static patterns or
> the intellect- the Dynamic Quality should not overcome your static patterns
> to a point where it’s meaningless to a person who writes."
>
> Which itself is simply an elaboration of this statement in ZMM: "...the art
> of the work is just as dependent upon your own mind and spirit as it is upon
> the material of the machine."
>
> [DMB]
> And there are many pieces of evidence showing that art is not to be confused
> with the fine arts, as Arlo so patiently and fruitlessly tried to show you.
>
> [Arlo]
> My money is on this confusion persisting.
>


I guarantee it.  And that's not a bad thing.  our discussion is
intellectual in scope (words are ) from the outset, talking about
"art" in any rigourous way is virtually impossible.

But the effort is righteous and the cause is good.  So I say we continue...

Jc
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