[dmb]
Spiritual Machines? Silicon-based Minds? For reasons I can't quite put my
finger on, this stuff strikes me as being creepy and ridiculous at the same
time. Things like the Borg of Star Trek, Darth Vader's death star in Star
Wars, HAL of 2001 and many other works express the idea that we are losing
our humanity to technology. There is something artless and heartless about
this whole area.

[Krimel]
More on the literary allusions later. But artless? Heartless? This is the
attitude that defies understanding. Technology has done nothing but enhance
art since the invention of paint and the drum. Technology created art. In
the past century whole new forms of art evolved and old forms were
revitalized; from film to synthesizers. I recently went to a local art
festival and was astonished at some of the work. Photographers seemed to
have discovered Photoshop since my last visit to and art show. Glass
sculptures, ceramics, textiles and traditional painting styles were all
enhanced and showed evidence of the adoption of technology both in the
mediums of expression and their symbolic representations.

[dmb]
Help me out here, gents. Tell me what would be the point and purpose of
creating cyber sapiens. Other than realizing every poet's worst nightmare,
why would we want to sand to think? I mean, the question does not ask if we
can, but if we should. I'm very skeptical on both accounts.

[Krimel]
Keith spoke to this very well but I would add that in ZMM it is not the
classically minded who are missing the boat by failing to appreciate beauty
and emotion. The problem is the romantics who can't see the art staring them
in the face. But if you really can't see the benefits in art, medicine,
safety and convenience there are always the Amish. Have you considered a
move to Pennsylvania Dutch country? There may be a Mennonite community near
you.

dmb says:
If it is sinister and dangerous and experimental then how wise is it to go 
with the flow? And I don't think we have to guess about the effects of 
technology. Nearly two hundred years ago a young women got involved in a 
writing contest with her poet friends and the result was FRANKENSTEIN, the 
subtitle of which is "the Modern Prometheus". 

[Krimel]
As I recall in Shelley's story the monster is the most sympathetic of
characters. It is in many ways the story of his struggle to understand his
place in the world and find meaning in a life he did not ask for. It was a
mirror of the man's struggle to confront and question his maker.

[dmb]
Science will either save us or enslave us. 

[Krimel]
Either way there is no turning back. There never has been.

[dmb]
Anyway, the various kinds 
of writers have already presented their nightmare visions of technology. I'm

not saying Mary Shelly started it or that the brothers who wrote THE MATRIX 
trilogy are literally poets. I'm just saying that we can be delusional about

the promises of technology. Don't forget that "TO SERVE MAN" was a cook 
book.

[Krimel]
Science fiction tales have vacillated from the more or less utopian visions
of Roddenberry, Asimov and Heinlein to the post apocalyptic visions of Mad
Max, David Brin's The Postman and Planet of the Apes. It also includes the
post modernism of cyberpunk. I just watched a DVD on Philosophy and the
Matrix which included a host of philosophers including Dennett, Searles and
Wilber. The Wachowski brothers are artists and poets in the truest sense of
the term. Their expression of philosophy and myth in terms that were
technological, entertaining and thought provoking all in the same mix is
almost without peer.

But it is not surprise to see this, really. Rod Sterling whom you allude to
with the "To Serve Man" comment was a pioneer in expressing philosophical
ideas to a mass television audience. Roddenberry, Sterling, the Wachowskis,
Lucas, Kubrick and Spielberg all embraced art, technology and philosophy. I
do not see the "soul" or the "heart" missing from any of their work.

[dmb]
We have created a technological world for ourselves. We already use it to 
enhance almost every aspect of life. We depend on the power of technology to

the point where we depend on it. I mean, if the technological infrastructure

of the West were to suddenly break down we'd probably be counting the dead 
in the millions. 

[Krimel]
As I have tried to explain many times most of the philosophical, artistic
and cultural advancements in the past 2000 years have been response to
advances in technology. From Plato's attempts to grapple with the meaning of
Greek mathematics to the Reformation fueled by the invention of the printing
press.

[dmb]
I guess I'm thinking of what's already been lost. 

[Krimel]
I actually agree with both this and your worry over what the consequences of
all this change might be. I am always torn between visions of utopia and
apocalypse. Back in March I posted a link to an article written for Atlantic
Magazine in 1897 by the Mac Daddy of the Victorians, Woodrow Wilson on Being
Human. http://www.gutenberg.org/dirs/etext04/nbhmn10.txt

In it he too expressed poignantly and prophetically a sense of wonder at
what was coming and concern over what would be lost in the coming century.

[dmb]
Too much data and not enough wisdom. I love Mr. Google as much as the next
guy, but the biggest money maker in cyberspace is porn. 

[Krimel]
Do you think we lose wisdom as we acquire data? Ignorance is bliss?
Ignorance is the reason porn is a money maker in cyberspace. Only the
ignorant would pay for something that is free in such abundance. But porn
has been popular with every new advance in technology. 

[dmb]
I never really had a computer at home until this year and nobody could go to
grad school without one, but cyberspace mostly serves consumer desires,
lust, vanity and is otherwise overflowing with bullshit. 

[Krimel]
Again with the romantic notion of purity standing up to those seeking to
steal your soul. Do you let people with cameras near you? I think it is
folly to believe that technology is the source of bullshit. Technology may
facilitate the production of bullshit as much as it facilitates the
production of art but both generate from the same heart of man. 

In the Egyptian Book of the Dead the God Anubis weighs the hearts of men on
a scale against a feather from the god Maat. The scale was high tech in
those days and it is unlikely that the pharaohs worried much about over
crowding in the afterlife.



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