To me, Jean Nouvel's Guthrie Theater seems to be offering us a French kiss.
I have to admit the cantilever has its fascinations. I find myself
alternately loving it and loving to hate it. The trouble is, the
stapler-to-somewhere has an air of desperation about it, as if Nouvel was
desperate to make the most of the site, or desperate to jazz up his design.

While I'm looking forward to future refinements in his design, I'm not sure
he needs to jazz it up. The rest of the design pays homage to the industrial
heritage at the riverfront, and does a pretty fair job of it.

Nouvel's theater buildings are not just being slavish to an obsolete local
industrial tradition. They bring a loop of architectural influence and
inspiration full circle, from around the globe.

American industrial architecture, and specifically the kind of silo and mill
designs pioneered here in Minneapolis, were a huge inspiration to European
designers of the early 20th century. A lot of the European modernism in
American postwar buildings is actually our own homegrown creativity sung
back to us (like the British Invasion in popular music).

That includes everything from the beloved (like the IDS and the old green
Minnegasco building downtown), to the despised (like the new Padilla Spear
building down the parkway, or the current central library building). Maybe
some of Tim Connolly's wistful fondness for the library can be traced to an
American directness in its design, like the way the windows open
floor-to-ceiling onto the street.

I think Nouvel's proposal is simply more direct than most modern buildings
in its industrial associations, which seems only appropriate at our central
riverfront, where industrial design has set the tone for going on two
centuries. We can be proud to see a bearer of its worldwide influence, as
Dylan might say, bringin' it all back home.

Chris Steller
Nicollet Island-East Bank
And if it's French kissing anything, it's Southeast Minneapolis

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