Wizard Marks has an encyclopedic (if sometimes imperfect) memory.

I believe what she is referring to is a South Minneapolis theatrical
production by At The Foot of the Mountain on Rape about twenty years ago.
The adaptation was based on a play by Brecht.  It was clear that the thrust
of the play was that rape was an instrument of a patriarchal power structure
meant to keep women in line.

Martha Roth (for more than ten years a regular columnist for Southside Pride
and an occasional writer for Pulse of the Twin Cities and now an expatriate
in Vancouver) and two other local women edited a collection of essays
entitled Transforming a Rape Culture, now in its second edition.

But, if I may tempt effrontery to the point of arrogance and try to further
decipher Wizard Marks' mind, I think the basic argument she is making is the
one first posited by Susan Brownmiller in Against Our Will.  That ovacular
work (seminal seems out of place) defines rape as standing between theft and
assault.  It may be the work Mr. Kahn was so disparagingly referring to when
he talked of outdated feminist notions.

Does that help?

Ed Felien
Powderhorn


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