Dear Annie, I like this idea very much and would love to participate. You didn't give a date. Did you mean this Friday (March 4th)?
Bests Ruth On Mon, Feb 28, 2022 at 9:02 AM Annie Abrahams via NetBehaviour < netbehaviour@lists.netbehaviour.org> wrote: > Hi, I am sure some of you have seen this conversation by Rhea Myers & > McKenzie Wark in Outland https://outland.art/rhea-myers-mckenzie-wark/ > I read it and am intrigued, but some things are very dense or formulated > in a way that doesn't refer to what I know. > > Might there be some of you who want to think through this conversation > via a reariting of it? > *I would like to propose Friday March at 16h Paris time. Please write me > an email if you want to think with others on this subject.* > > Annie > -------- > Reariting is the act of simultaneous reading and writing together on the > Internet. Reariting is used as a technique to think through a text > together. While we read the conversation, we will all use the same > framapad to write our reactions and asides related to this text. Thus we > explain and explore our understandings and misunderstandings of the text . > -------- > > *Thus the Reading Club manifests itself as a facilitator for a > diffractive, distributed intelligence on-the-fly, creating text and > relational patterns that do not depend on canons. It generates creative and > unexpected “outcomes”. These are, in my opinion, not so much the texts > produced, as the “diffractive moments” experienced by the reariters.* > Diffractive Reading in the Reading Club, Annie Abrahams, 2019. > https://elmcip.net/critical-writing/diffractive-reading-reading-club > > In the article with Emmanuel Guez: *The machinic author*, published in > JCWS (Journal of Creative Writing Studies) we formulate it a bit > differently: > *She assists in an event that allows for diffractive moments (5) – i.e “a > mapping of interference” which take her out of self reflexivity, out of > systemised subjectivity, out of a world that only reproduces what it knows > already into an intra-active diffractive worlding (6). The machnic author > revealed herself as queer.* > Abrahams, Annie and Guez, Emmanuel (2019) ““The machinic author” Artist’s > Statement: The Reading Club”, Journal of Creative Writing Studies: Vol. 4: > Iss.1, Article 8. ISSN: 2474-2937. Available at: > https://scholarworks.rit.edu/jcws/vol4/iss1/8 > _______________________________________________ > NetBehaviour mailing list > NetBehaviour@lists.netbehaviour.org > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > -- Ruth Catlow she/her Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts Lab +44 (0) 77370 02879 *I will only agree to speak at events that are racially and gender balanced. **sending thanks <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html> in advance *Furtherfield *disrupts and democratises art and technology through exhibitions, labs & debate, for deep exploration, open tools & free thinking. furtherfield.org <http://www.furtherfield.org/> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 technologies research hub for fairer, more dynamic & connected cultural ecologies & economies now. https://decal.furtherfield.org/ Furtherfield is a Not-for-Profit Company Limited by Guarantee Registered in England and Wales under the Company No.7005205. Registered business address: Carbon Accountancy, 80-83 Long Lane, London, EC1A 9ET.
_______________________________________________ NetBehaviour mailing list NetBehaviour@lists.netbehaviour.org https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
