hi ruth, thank you for this great list : ) the trouble with lists is that there are always more to add on (such as your good self!) & it's hard to know when to stop. there are so many amazing & relatively-unsung women working away out there.
it will be really great to see you & many other inspiring women at the /etc in istanbul. we're doing the 090909 UpStage festival from there too : ) h : ) Ruth Catlow wrote: > Hi Kathryn, > > Thanks for your post. It got me thinking about how important the > visibility of other women's work is to me in my daily doings. There is > then something about a lot of this works' basis in networks that makes > me feel much more connected to it than I might be to work of other women > artists. > in the meantime I have been thinking about... > > Annie Abrahams - for one of my favourite early netart works, Separation > http://bram.org/separation - and for her networked performances > including the multiple series with panoplie > http://aabrahams.wordpress.com > > Daphne Dragona - curatorial work with networked consciousness in the > field of games art a - especially the amazing Homo Ludens Ludens at > Laboral > http://www.we-make-money-not-art.com/archives/2008/05/homo-ludens-ludens-quick-conve.php > and her work with Personal Cinema > > Aurea Harvey - for her part with Entropy8Zuper in early intimate > networked performances http://entropy8zuper.org/wirefire and for Endless > Forest, Tale of Tales's bucolic social screensaver > http://tale-of-tales.com/TheEndlessForest > > Mary Flanagan - for her energetic explorations as academic, educator, > artist and programmer at the intersection of games, art and feminism > and exploring collaborative approaches to thinking about values in > http://www.valuesatplay.org/ > > Aileen Derieg - her writing about life in the Freie Szene in Linz on the > Furtherfield blog http://blog.furtherfield.org/?q=blog/8 and > translations of writing at the intersection of art, technolgy and social > change. > > The De Geuzen crew - Renee Turner, Femke Snelting and Riek Sijbring - > especially for their project Female Icons > http://www.geuzen.org/female_icons/ > > Helen Varley Jamieson - for Upstage cyberformance platform > http://upstage.org.nz/blog/ > > Maja Kalogera - for some great digital artworks, curating exhibitions > and facilitating Upgrade in Zagreb http://www.wowm.org/site_v7/index.php > > Kate Southworth- her thinking on feminism/networks and her ongoing > artistic collaboration with Patrick Simon with Glorius Ninth > http://www.gloriousninth.net > > Ele Carpenter - http://www.elecarpenter.org.uk/ for tech inspired and > facilitated participation with Open Source Embroidery, her curatorial > project exploring artists practice that explores the relationship > between programming for embroidery and computing. > > Kate Rich - her imaginative, sideways and wonderfully parasitical > project, Feral Trade, for trading goods along social networks. She has > constructed a live shipping database, The Feral Trade Courier, "for a > freight network running outside commercial systems. The database offers > dedicated tracking of feral trade products in circulation, archives > every shipment and generates freight documents on the fly." > http://www.feraltrade.org/ > > Kale Brandon -For her part (with Kate Rich) in Cube Cola, the first > "open source soft drink" http://sparror.cubecinema.com/cube/cola and > (with Heath Bunting) in Border Xing > > Jess Loseby - her net art http://www.rssgallery.com/ and various > contributary projects especially Angry Women - Disturb the Peace > http://www.rssgallery.com/2006/12/01/angry-women-disturbthepeace/ > > Lucy Eyers - her work on the first Node.London season of media art > http://nodel.org and the low-fi netart locator http://www.low-fi.org.uk > and commissions > > Liza Haskel - early work in collaborative media art practices involving > critical engagement in the politics of technology > http://mediaartprojects.org.uk > > Francesca da Rimini/Gashgirl - early dirty cyberfeminism and current > exploratory work on "small media, soft ecologies" > http://www.sysx.org/gashgirl/ > > Hannah Higgins - her book Fluxus Experience - not strictly technological > but so closely connected in my mind to a more connected and distributed > art experience > > Lucy Lippard -for dematerialization of the art object, for offering > precursory context for net art but mainly for articulating the tensions > for women artists looking to work with parity in a patriarchal, market > driven art world > > Susy Gablick - her book Conversations before the end of time (not > overtly technological -but somehow contextual) > > Sadie Plant - her books 'Zeros and Ones' and though not strictly > technological, her book 'The Most Radical Gesture' about Situationism > seems relevant too > > Finally I just have to slip Bjork in there for all of her songs which > are full of blips and bleeps and glitches and technical experimentations > and for her video with Chris Cunningham - All is Full of Love > http://www.youtube.com/watch?v=EjAoBKagWQA > > Of course there are lots of others and I am resisting the temptation to > add in a list of honorary women (yes men!) > > Finally I am excited by the prospect of attending Eclectic Tech Carnival > this year in September http://eclectictechcarnival.org/node/864 for a > "gathering of women interested in technology". It seems like a great > thing. Perhaps you should come too:) > > love and peace > Ruth > > -- ____________________________________________________________ helen varley jamieson: creative catalyst he...@creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz http://www.writerfind.com/hjamieson.htm ____________________________________________________________ _______________________________________________ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
