WHOLE EARTH CATALOGUE

Video selection for the series “Playlist”, Neoncampobase, Bologna (Italy)
http://www.neoncampobase.blogspot.com/
Opening: January 27, 2010
Curated by: Domenico Quaranta (http://domenicoquaranta.com).

Founded by the American writer Stewart Brand in 1968, the Whole Earth 
Catalogue (WEC) was a catalogue of tools that was regarded as a bible by 
the counterculture generation – that is, by those who shaped the 
techno-cultural environment we are living in. Published regularly until 
1972 and sporadically until 1998, it definitely died with the rise of 
the Web, of which it is considered a conceptual forerunner by people 
such as Steve Jobs (founder of Apple) and Kevin Kelly (founder of 
Wired). WEC was conceived as an “evaluation and access device” meant to 
bring power and knowledge to the people. It featured excellent reviews 
of books, maps, professional journals, courses, and classes, along with 
objects of any kind, from gardening tools to computers. Everybody could 
submit a review for the catalogue.

Like the WEC reviewers, the artists in this exhibition are contributing 
to a shared resource; like them, they love their tools and, like them, 
they are interested in understanding the world as a whole. What did 
change, in the meantime – and mostly thanks to the WEC generation – is 
the world itself.
These artists – WE – live in a world in which media don't just reproduce 
reality, nor just simulate it, in Baudrillardian terms: they shape 
reality, improve it, sometimes they build parallel worlds in which we 
can spend our time. They redesign our way to live, to think, to make and 
enjoy culture, to eat, to sleep, to die. And to think about God.

These artists use simple tools and editing tricks in order to comment on 
the current status of the image, to talk about themselves, to edit found 
material and to improve its meaning; they explore cultures and habits in 
order to sample, remix and comment them; they use and abuse 
technologies; they export metaphors, practices, aesthetics and 
narratives to other situations. This may sound weird if you are not 
living in their same time slice, but please – don't call them 
formalists. They are not working within a medium: they are working 
within a media-implemented reality. They are realists, in the only way 
that realism makes sense nowadays.

This peculiar realism can bring somebody to go back to when everything 
started. Notoriously, psychedelic drugs played an important rule in the 
beginning of digital culture. Without Sun, by Brody Condon, is a mesh-up 
of various found videos of individuals on a psychedelic substance. Why 
do people broadcast these materials? Do these “out of the body” 
experiences have any relationship with other now common forms of 
projection of the self, such as online videogaming? Some artists, such 
as Cory Arcangel or Oliver Laric, are interested in the conceptual 
consequences of technologies, and on the way they are updating 
fundamental concerns of our culture; others, such as the duo AIDS-3D, 
explore how technologies are increasingly affecting our spiritual life. 
In their own words, they want to make “the intangible magic of 
technology visible”. Not necessarily trough technologies themselves: 
Constant Dullart's video, for example, turns Youtube's “loading” 
animation into a suggestive, hypnotic object using light and styrofoam 
balls.

This concern with magic and transcendence is shared by many of the 
artists on show, from Petra Cortright to Damon Zucconi, from Harm Van 
den Dorpel to Martin Kohout. In their hands, a video filter can become 
the best way to explore how consistent the outer world is, and how 
consistent we are. It can become the best way to get a better knowledge 
of the world we live in, whatever we may mean with this word.

Selected works:

AIDS-3D (Daniel Keller & Nik Kosmas, US/DE), Motion Capture Dance, 2008. 
Video, 08.34 min. Courtesy Gentili Apri, Berlin. Online at 
http://www.aids-3d.com/motioncapture.mov.

Cory Arcangel (US), Drei Klavierstucke op. II – I, 2009. Video, 04.21 
min. Courtesy Team Gallery, New York. Online at 
http://www.beigerecords.com/cory/Things_I_Made/DreiKlavierstucke.

Brody Condon (US), Without Sun, 2008. Video, 15.12 min. Courtesy Virgil 
De Voldere, New York. Online at 
http://www.tmpspace.com/video/WithoutSun.mov (excerpt).

Petra Cortright (US), Das Hell(e) Modell, 2009. Video, 03.41 min. Online 
at http://petracortright.com/das_helle_modell/das_helle_modell.html.

Paul B. Davis (UK/US), Compression Study #4 (Barney), 2007. Video, 02.49 
min. Courtesy Seventeen Gallery, London. Online at 
http://www.youtube.com/watch?v=CWG5jqzYsEI.

Constant Dullart (NL), Youtube as a Sculpture, 2009. Video, 00.33 min. 
Online at http://www.youtube.com/constantdullaart.

Martijn Hendriks (NL), Untitled (12 glowing men), 2008. Video, 04.10 
min. Online at http://www.12glowingmen.com/.

Jodi (BE/NL), Mal Au Pixel, 2009. Video, 01.14 min. Courtesy Gentili 
Apri, Berlin. Online at http://www.youtube.com/watch?v=KE8VIKXnsQ0.

Martin Kohout (CZ/DE), Close Up, 2009. Video loop, 03.11 min. Online at 
http://www.martinkohout.com/new/close-up/.

Oliver Laric (DE), Aircondition, 2006. Video, 01.59 min. Courtesy 
Seventeen Gallery, London. Online at 
http://www.oliverlaric.com/airconditionvideo.htm.

Les Liens Invisibles (IT), Too Close to Duchamp’s Bicycle, 2008. Video 
loop, 02.14 min. Online at 
http://www.lesliensinvisibles.org/too-close-to-duchamps-bicycle/.

Miltos Manetas (GR/UK), King Kong After Peter Jackson, 2006. Video, 
03.05 min. Online at http://www.youtube.com/watch?v=cNMkjWpdC4c.

Pascual Sisto (US), No strings attached, 2007. Video, 01.30 min. Online 
at http://www.pascualsisto.com/projects/no-strings-attached/.

Paul Slocum (US), You’re Not My Father, 2007. Video, 04.05 min. Online 
at http://turbulence.org/Works/notmyfather/.

Harm Van den Dorpel (NL), Resurrections, 2007. 3 animated found photos, 
04.18 min. Online at http://www.harmvandendorpel.com/work/resurrections.

Damon Zucconi (US), Colors Preceding Photographs (woodshed), 2008. 
Video, 00.35. Courtesy Gentili Apri, Berlin. Online at 
http://damonzucconi.com/uploads/Video/woodshed_w.mov.

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