From Jabberwocky to Lettrism.

Eugène Jolas.
Transition. no. 1 (January 1948), ed. George Duthuit. pp. 104-120.

The language of poetry has undergone more radical changes in the past 
fifty years than were recorded during the previous three hundred years. 
During the XVIIth, XVIIIth and XIXth  centuries, language remained 
generally static, with the exception, perhaps, of the addition of 
certain technological terms. Esthetic language, however, hardly varied 
at all from Racine to Valéry, from Marlowe to Eliot. And this despite 
the fact that all-important scientific discoveries were being made, that 
human consciousness was continually expanding, that new dimensions of 
thought cried out for new expression. Even today, it cannot be 
truthfully said that academic language has greatly altered during the 
last four or five decades, and the tragic misunderstandings resulting 
from persistent use of exhausted terms are only too numerous. What has 
characterized this period, however, is the continuous metamorphosis 
which has been taking place on the periphery of academic language, where 
individuals with sensitive antennae, sensing linguistic decomposition 
and conscious of the growing trend to abolish the frontier-posts of 
words, have understood that one of the solutions to the problems of 
verbal symbolism is to be found in phonetic  transformation.

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