Schwitters masterpoem may be seen and heard (in multiple versions) here:
http://www.ubu.com/sound/ursonate.html



>  From Jabberwocky to Lettrism.
>
>Eugène Jolas.
>Transition. no. 1 (January 1948), ed. George Duthuit. pp. 104-120.
>
>The language of poetry has undergone more radical changes in the past
>fifty years than were recorded during the previous three hundred years.
>During the XVIIth, XVIIIth and XIXth  centuries, language remained
>generally static, with the exception, perhaps, of the addition of
>certain technological terms. Esthetic language, however, hardly varied
>at all from Racine to Valéry, from Marlowe to Eliot. And this despite
>the fact that all-important scientific discoveries were being made, that
>human consciousness was continually expanding, that new dimensions of
>thought cried out for new expression. Even today, it cannot be
>truthfully said that academic language has greatly altered during the
>last four or five decades, and the tragic misunderstandings resulting
>from persistent use of exhausted terms are only too numerous. What has
>characterized this period, however, is the continuous metamorphosis
>which has been taking place on the periphery of academic language, where
>individuals with sensitive antennae, sensing linguistic decomposition
>and conscious of the growing trend to abolish the frontier-posts of
>words, have understood that one of the solutions to the problems of
>verbal symbolism is to be found in phonetic  transformation.
>
>more...
>http://tinyurl.com/yk7hva3
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