Interesting questions, especially how can art maintain its authenticity in a
Neoliberalist world?

The first step to addressing this might be to establish what you mean by
authenticity, one of the most problematic concepts in our postmodern
neo-liberalist world. Can anything be authentic? In a culture manifest as
simulacra I wonder what answer might be determinable?

Best

Simon


Simon Biggs
[email protected]  [email protected]
Skype: simonbiggsuk
http://www.littlepig.org.uk/

Research Professor  edinburgh college of art
http://www.eca.ac.uk/
Creative Interdisciplinary Research in CoLlaborative Environments
http://www.eca.ac.uk/circle/
Electronic Literature as a Model of Creativity and Innovation in Practice
http://www.elmcip.net/
Centre for Film, Performance and Media Arts
http://www.ed.ac.uk/schools-departments/film-performance-media-arts


> From: marc garrett <[email protected]>
> Reply-To: NetBehaviour for networked distributed creativity
> <[email protected]>
> Date: Wed, 13 Oct 2010 11:49:15 +0100
> To: NetBehaviour for networked distributed creativity
> <[email protected]>
> Subject: Re: [NetBehaviour] From today...
> 
> Hi Tom,
> 
> No problem, I have posted a version of my reading list on here anyway.
> 
> Perhaps you missed earlier chats with Alan regarding my course, its
> subject and theme etc...
> 
> ..."The programme of study falls under - Film/Television/Media Studies
> Research. Although many individuals are studying digital, media art
> within this framework of study.
> 
> An edited intro...
> 
> How artists engage in the process of taking control of the medium of
> technology, and their own creative voice; is complicated and works at
> many different degrees of self-agency and situation-based needs. The
> Situationists in their own time had to bring about a completely new way
> of being in the world. They changed habits and approaches to their own
> art, introducing new territories of art practice, adapting and moving
> their attention into the realms of film, book distribution and projects
> (happening) in everyday culture. In light of Debord's statement "There
> can be no freely spent time until we possess the modern tools for the
> construction of everyday life. The use of such tools will mark the leap
> from a utopian revolutionary art to an experimental revolutionary art.
> 
> My starting question is - How can art maintain its authenticity in a
> Neoliberalist world?
> 
> It's a little bit more complex, but the above give's you some idea  :-)"
> 
> wishing you well.
> 
> marc
> 
> 
>> marc.
>> I wasn't clear, when people say "what are you reading at such and
> such a place" it means what's the course about, not literally "what ARE
> you reading"
>>  
>> :)
>>  
>> 
>> 
>> --- On Mon, 11/10/10, marc garrett <[email protected]> wrote:
>> 
>> 
>>     From: marc garrett <[email protected]>
>>     Subject: Re: [NetBehaviour] From today...
>>     To: "NetBehaviour for networked distributed creativity"
> <[email protected]>
>>     Date: Monday, 11 October, 2010, 22:12
>> 
>>     Hi Tom,
>> 
>>     For the sake of the Netbehaviour community I will send you a list
>>     'personally', if you are interested.
>> 
>>     wishing you well.
>> 
>>     marc
>>>  Good for you!
>>> What are you "reading" as posh people would say?
>>> 
>>> tom
>>> 
>>> On 11/10/2010 16:01, marc garrett wrote:
>>>> Hi Netbehaviourists,
>>>> 
>>>>   From today...
>>>> 
>>>> I am a student at Birkbeck University - a whole new experience
> for me.
>>>> 
>>>> It's good to become someone else again ;-)
>>>> 
>>>> marc
>>>> _______________________________________________
>>>> NetBehaviour mailing list
>>>> [email protected]
>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>> 
>>> 
>> 
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>> 
>> 
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Edinburgh College of Art (eca) is a charity registered in Scotland, number 
SC009201


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