Colour doesn't exist at the scale of quarks.

Simon Biggs
[email protected]  [email protected]
Skype: simonbiggsuk
http://www.littlepig.org.uk/

Research Professor  edinburgh college of art
http://www.eca.ac.uk/
Creative Interdisciplinary Research in CoLlaborative Environments
http://www.eca.ac.uk/circle/
Electronic Literature as a Model of Creativity and Innovation in Practice
http://www.elmcip.net/
Centre for Film, Performance and Media Arts
http://www.ed.ac.uk/schools-departments/film-performance-media-arts


> From: Alan Sondheim <[email protected]>
> Reply-To: NetBehaviour for networked distributed creativity
> <[email protected]>
> Date: Wed, 13 Oct 2010 12:21:39 -0400 (EDT)
> To: NetBehaviour for networked distributed creativity
> <[email protected]>
> Subject: Re: [NetBehaviour] From today...
> 
> 
> But what would a non-realistic art or art practice be? Unless the word is
> used in the sense of - something that can't be carried out - i.e. it's
> unrealistic to create an artwork from a single quark visible from outer
> space and colored blue?
> 
> - Alan
> 
> On Wed, 13 Oct 2010, Rob Myers wrote:
> 
>> On 10/13/2010 04:22 PM, Alan Sondheim wrote:
>>> 
>>> I think in the usual sense of the word, authenticity is more than
>>> problematic - it's suspect.
>> 
>> How about "realistic"?
>> 
>> Realistic artistic practice (process), realistic art (product).
>> 
>> Realism is the absence of sentiment. It's a kind of efficiency (to
>> ironise a neoliberal shibboleth ;-) ).
>> 
>> Producing something realistic in the unreality of neoliberalism (it's
>> markets all the way down...) can be approached in various ways.
>> 
>> The successful results will be authentic in a non-suspect sense by
>> virtue of their realism. Which I would make less tautological if I had
>> more time. ;-)
>> 
>> - Rob.
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> 
> 
> ==
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