Not talking about Furtherfield, Marc. Unless you are part of the Wall Street 
propelled Art Market.

-Joel


----- Original Message ----- 
From: "marc garrett" <marc.garr...@furtherfield.org>
To: "NetBehaviour for networked distributed creativity" 
<netbehaviour@netbehaviour.org>
Sent: Thursday, March 31, 2011 8:05 AM
Subject: Re: [NetBehaviour] I don't know what to think anymore


So, should we shut down furtherfield on-line projects and the gallery?

marc
> Marc;
>
> I think what's happening was inevitable, as wealth and power becomes
> concentrated into a few hands, the population grows, and resources become
> scarce.
> So perhaps its time for artists to drop out of the "art scene" and not 
> feed
> the monster.
>   Not a bad thing, as it can mean a rebirth of work over which the Art 
> Market
> has no power.
>
> -Joel
>
> ----- Original Message -----
> From: "marc garrett"<marc.garr...@furtherfield.org>
> To: "NetBehaviour for networked distributed creativity"
> <netbehaviour@netbehaviour.org>
> Sent: Thursday, March 31, 2011 2:09 AM
> Subject: Re: [NetBehaviour] I don't know what to think anymore
>
>
> Hi Simon&  Antonio,
>
> Yesterday was a significant day. A big shift politically, where the
> ideology of a neo-liberalist agenda successfully disarmed half of the
> media art world in the UK. Some excellent groups who were grass roots,
> doing amazing stuff were attacked. I can't even bring myself to mention
> their names at present, because it feels too raw.
>
> Already in the UK, artist groups have been just about surviving on
> minimal amounts of income. This recent attack has lessened their power
> to make 'real' change in the world. Currently, my toleration for those
> who say that 'if you are arts council funded you are not radical', as
> they themselves are about as socially engaged as a wet muppet - all
> mouth no trousers. There has been some excellent art collectives and
> groups receiving revenue in the UK from Arts Council funding, whilst
> actively changing things via their own, critical approaches.
>
> What has happened is, those who are already supported by and part of, an
> established elite have gained even more power. If we thought that things
> were bad before, get ready for next wave of corporatized zombie led
> manouvering, implementations of conservative ideologies flooding the art
> world. Already the established art world was propping up useless and
> culturally vapid artists via protocols, defined from top-down
> initiatives. It was already hard to convince galleries and art magazines
> to allow media context and its practice to be seen in their frameworks,
> now they have yet another excuse to stay in the same state of denial,
> and escape the responsibility of having an awareness of work more
> relevant than their own limited remits, let alone a small glimmer of
> imagination.
>
> marc.
>
> wishing you well.
>
>
>   >  The days when an artist could rely on ACE for an income are long 
> gone.
>   >  1998/99 was the key period, when major restructuring of ACE (at the
> behest
>   >  of the new Labour government) meant that direct funding to artists 
> was
>   >  replaced by a focus on funding institutions and regional areas. The
> closing
>   >  off of the tap for direct funding to artists from the National 
> Lottery,
>   >  specifically the closure of the Film Councils support for 
> experimental
>   >  practice, was the single most negative hit the new media arts sector 
> has
>   >  taken over the past decades (along with the closure of the Film and 
> Video
>   >  unit of ACE). Since that time it hasn't been possible for an artist
> to make
>   >  a living from ACE supported activities. Artists that had benefitted 
> from
>   >  ACE's prior largesse (happily I was amongst them) had to find 
> alternate
>   >  means to support their work.
>   >
>   >  That doesn't make what happened yesterday any more palatable. The
> cuts made
>   >  are amongst the most profound that I can remember and many worthy
> groups and
>   >  companies have suffered. This has happened as the direct result of
>   >  government policy. ACE had little choice when its budget was cut by a
> third
>   >  - the big question was whether to cut everyone a little or a few a
> lot. They
>   >  went for the latter option. There are arguments for and against 
> either
>   >  option. Understanding why this has happened doesn't dull the pain for
> those
>   >  that have lost out.
>   >
>   >  Best
>   >
>   >  Simon
>   >
>   >
>   >  On 30/03/2011 23:09, "Antonio Roberts"<anto...@hellocatfood.com> 
> wrote:
>   >
>   >>  http://www.flickr.com/photos/hellocatfood/5575389294/
>   >>
>   >>  "After reading the Arts Council's funding decisions today I'm really
>   >>  not sure how I feel about them and the whole art world in general.
>   >>
>   >>  I should just give up now. An artists' income is largely dependent 
> on
>   >>  the government/Arts Council and they currently are more keen on
>   >>  cutting funding and trying to convince us that it'll be great
>   >>  challenge for our creativity. What a load of crap. A challenge is
>   >>  good, unemployment is not.
>   >>
>   >>  What a crap day"
>   >>  _______________________________________________
>   >>  NetBehaviour mailing list
>   >>  NetBehaviour@netbehaviour.org
>   >>  http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>   >>
>   >
>   >
>   >  Simon Biggs
>   >  si...@littlepig.org.uk
>   >  http://www.littlepig.org.uk/
>   >
>   >  s.bi...@eca.ac.uk
>   >  http://www.elmcip.net/
>   >  http://www.eca.ac.uk/circle/
>   >
>   >
>   >  _______________________________________________
>   >  NetBehaviour mailing list
>   >  NetBehaviour@netbehaviour.org
>   >  http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>   >
>
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