Thank you- I'm really glad someone can get something from this,
Simon
On 29 May 2011, at 13:18, Ann Light wrote:

> What a glorious lunchtime for me on the list, catching up with
>
> 'Park House'
> http://www.vimeo.com/17226732
>
> and
>
> 'Friday morning at the surgery'
> http://edwardpicot.com/fridaymorning
>
> If you haven't followed these links, I can only suggest that you  
> do. So much
> of life seems to be there in different ways on each.
>
> What a fabulous list. Thank you Simon, Edward ... and Michael. And  
> Ruth and
> Marc. Happy BHWE.
>
> Ann
>
> -----Original Message-----
> From: [email protected]
> [mailto:[email protected]] On Behalf Of Michael
> Szpakowski
> Sent: 29 May 2011 11:27
> To: NetBehaviour for networked distributed creativity
> Subject: Re: [NetBehaviour] a film called The Ship
>
> Hi Simon
> I like this, in parts. It has moments of intense beauty and it  
> bursts with
> ideas, some of which seem to me to work more successfully than others.
> I've been looking at some of your other work - in particular
>
> 'Park House'
> http://www.vimeo.com/17226732
> and
>
> 'Big Moth'
> http://www.vimeo.com/17198361
>
> which seem to me to be quite incontrovertibly triumphant. I think what
> underpins this success for me is that these pieces are both looser  
> & wilder
> in their construction and more intense in their content. In 'The  
> Ship' the
> quasi-narrative form means less poetry per minute plus all the  
> traps of
> unevenness (and to some extent cliche) that using performers brings.
> Frankly, I'm not sure how much is gained by the "narrative" thread  
> - it is
> still fairly opaque and I wouldn't have guessed, without your gloss  
> on the
> vimeo page, that it is "A film about an artist with a dilemma. A  
> poetic take
> on split personality and narrative breakdown."
> What seems to me makes for more powerful and unified work in the  
> other two
> is that the glue is your beautiful writing and (not to be  
> underestimated)
> extraordinarily charismatic speaking voice, combined with a superb  
> visual
> sense... they are *precisely* audio visual lyric poems...
> I can see that this could feel unsustainable over a greater length,  
> like
> that of 'The Ship' - the lyric approach could begin to feel  
> overcooked over
> more than about three minutes (although this never stopped Brakhage).
> I wonder whether the longer work needs more "scaffolding" - longer  
> rehearsal
> periods, more precise scripting, even , dare I say, storyboarding  
> ( although
> I can see the huge amount of work that went into it as it stands).
> warmest wishes
> michael
>
>
> --- On Thu, 5/26/11, Simon Mclennan <[email protected]> wrote:
>
>> From: Simon Mclennan <[email protected]>
>> Subject: [NetBehaviour] a film called The Ship
>> To: "NetBehaviour for networked distributed creativity"
> <[email protected]>
>> Date: Thursday, May 26, 2011, 5:42 PM
>> A film I made - I would be interested
>> in feedback from anyone on net
>> behaviour. Its about 6 minutes long and follows a sort of
>> narrative.
>>
>> http://www.vimeo.com/17199370
>>
>> Incidentally this film was accidentally stolen by thieves
>> from my
>> flat twice during editing- two separate times on two
>> separate
>> computers- now there's a chance for you.
>> The first part is shot at Furtherfield Gallery, kindly lent
>> to me for
>> a couple of hours by Mark and Ruth some time ago.
>>
>> thanks,
>>
>> Simon
>>
>> _______________________________________________
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