Please can You ask Him some questions: 

How can You use the term free ? 
Do You Really think internet is free ? 
How can You think about a free software  If this is connected  to a wider  
System ?
Open source for Who ?
Why Open softwares emulates Adobe and use the same GUI ? Why not inovatte and 
takes risk ?
Is that true that Open source Still around just because is cheaper to 
enterprises and goverments ?
Why most of the people that are for Open source are not for Open Data ?

I am saying that because use the term free can turn the Open source movement a 
joke in the eyes of others, and That is NO GOOD.

> Date: Wed, 13 Feb 2013 16:32:42 +0000
> From: [email protected]
> To: [email protected]
> Subject: Re: [NetBehaviour] New Digital Culture Unit @ Goldsmiths
> 
> Stallman is coming to the University of Bedfordshire on March 20th,
> talk starts at 6pm.
> Any want to come?
> dave
> 
> On 13 February 2013 16:26, Eduardo Valle <[email protected]> wrote:
> > Stallman is using the same marketing bullshit , of all americans enterprises
> > that says and sells the idéia that internet is free and it is not. You
> > cannot think only about the software, You have Telecoms, ICANN DICTATORSHIP
> > , Intel DICTATORSHIP and many others. He is thinking people are stupid ? I
> > totally agree with the term Open source , but Open for Who ? And worst , the
> > people that are for Open source sometimes dont praticse OPEN DATA.
> > About the term Digital Culture it is widespread in World by An english
> > spoken Author and people accept as they accept FREE ???? Software. There is
> > a process of digitalization of various cultures If it is good or bad we can
> > discuss about it , but there is NO Digital Culture. There is digital Media ,
> > that is no longer NEW, where artists can work with and make Art with in
> > various forms.
> > Globalization did not affects the geopolitical power, i was showing that in
> > Liverpool as Aaron Schwartz did with Elsevier.
> >
> > ________________________________
> > CC: [email protected]
> > From: [email protected]
> > Date: Wed, 13 Feb 2013 14:44:15 +0000
> >
> > To: [email protected]
> > Subject: Re: [NetBehaviour] New Digital Culture Unit @ Goldsmiths
> >
> > Not sure if all examples of a shift to the digital, across cultures, is
> > something that we have to suffer. I can think of plenty of positive aspects
> > the digital brings us, across cultures. But that's another argument.
> >
> > I was just seeking to clarify that there are cultures (many) that can be
> > characterised as digital sufficiently to be termed digital cultures. So long
> > as we realise this is a plural situation I am relaxed with that. I will be
> > attending a conference in Brazil next month on this topic (one of several
> > I've attended in South America) so clearly there are Brazillians who think
> > this is a relevant term. I've attended similar events in probably 50
> > different countries, many in Asia and elsewhere.
> >
> > My impression is that this is a global phenomenon - globalisation is closely
> > associated with digital issues. I know many have an automatic reflex to
> > reject globalisation and it is true it is deeply problematic - but the
> > process of globalisation can also be seen as part of a post-colonial dynamic
> > where power is more globally distributed. Whilst that doesn't mean power is
> > evenly distributed (far from it - if it was evenly distributed it wouldn't
> > be power in the sense we understand it) it is better than power being
> > located in a handful of European and north American capital cities.
> >
> > best
> >
> > Simon
> >
> >
> > Sent from a mobile device, thus the brevity.
> >
> > Simon Biggs
> > [email protected]
> > [email protected]
> > http://www.littlepig.org.uk
> >
> > On 13 Feb 2013, at 13:15, Eduardo Valle <[email protected]> wrote:
> >
> > I am not saying that there no field relates to the digital media, like
> > software art, net art etc and etc. What i am saying is that a lot of
> > diferent cultures are suffering a process of digitalization and that is
> > totally diferent from a totalitárian single  and not plural term that is
> > digital culture, worst than that only people that defende a term like
> > f(r)EE. Software , are they Really FREE ? What is to be FREE ? But as i say
> > institutions and acadêmics that Still think that South América is Latin
> > América ...
> >
> > ________________________________
> > From: [email protected]
> > Date: Wed, 13 Feb 2013 12:49:09 +0000
> > To: [email protected]
> > Subject: Re: [NetBehaviour] New Digital Culture Unit @ Goldsmiths
> >
> > I'd argue that there is a thing called digital culture - this is what
> > defines the boundaries of the digital places, spaces and media we
> > increasingly inhabit in the various aspects of our lives. However, this
> > culture is not singular but plural, with multiple dimensions deriving from
> > different places and demographies. So, computer gaming culture in Korea,
> > hacker culture in the USA, smart phone culture in Tanzania, for example, are
> > all distinct. A really useful writer to read, although working in a very
> > different context, is Olivia Garcia, with her work on pluriliteracy. She
> > articulates how different forms of cultural engagement demand distinct kinds
> > of literacy and capability - often at the same time.
> >
> > best
> >
> > Simon
> >
> >
> > On 13 Feb 2013, at 12:33, Eduardo Valle wrote:
> >
> > Digital Culture ?
> > Digital is a media not a culture, we are living in a World of various
> > cultures that are suffering a process of digitalization, but having someone
> > in the program that Thinks that South America is Latin América ...
> >
> >> Date: Wed, 13 Feb 2013 12:20:36 +0000
> >> From: [email protected]
> >> To: [email protected]
> >> Subject: Re: [NetBehaviour] New Digital Culture Unit @ Goldsmiths
> >>
> >> Hi all,
> >>
> >> I would like to agree with Tom,
> >>
> >> I must say, we've been working with some of the students from Goldsmiths
> >> which includes the "MA Interactive Media, critical theory and practice"
> >> crew. And, the passion and interest in the projects at Furtherfield, and
> >> their added zest/openness to explore related ideas and contexts, has
> >> been impressive. As well as, their critically engaged approaches towards
> >> networks and social engagement, in art generally.
> >>
> >> I'm not a fan of the 'fine art' section of Goldsmiths, and especially
> >> have not forgiven 'Michael Graig Martin' and 'Yucky Hirst bag', for
> >> imposing their Saatchi and Saatchi 'conservative' driven, market
> >> branded, Brit Art on the world.
> >>
> >> But, these other people at Goldsmiths, have soul...
> >>
> >> chat soon.
> >>
> >> marc
> >>
> >> > Hi All,
> >> > A quick forward which might be of interest...
> >> > I can highly recommend "MA Interactive Media, critical theory and
> >> > practice" which I completed last year.
> >> > Tom
> >> >
> >> >
> >> > ---------- Forwarded message ----------
> >> > From: Harwood <[email protected]>
> >> > Date: Wed, Feb 13, 2013 at 12:03 PM
> >> >
> >> > It would be great if you could pass this on to any of your networks.
> >> >
> >> >
> >> > Digital Culture is a place of fundamental change. Understanding,
> >> > shaping and leading that change are graduates from two Masters
> >> > programmes at the Digital Culture Unit. The problems of computing are
> >> > increasingly those of the social and those of meaning, interpretation,
> >> > cultural expression, organization that have been core to the humanities
> >> > over the last two millennia. At the same time, computing is now central
> >> > to the activity of thought and communication and both computing and
> >> > humanities find themselves reconstituted, so that one cannot exist
> >> > without the other.
> >> >
> >> > The Digital Culture Unit at the Centre for Culture Studies at
> >> > Goldsmiths, University of London brings together researchers who have a
> >> > special interest and expertise in digital culture in the broadest sense.
> >> > We make software, texts, installations and investigations and edit
> >> > journals, make books, art and collaborate with others to take part in
> >> > and understand the changes computing is making to all forms of life.
> >> > Drawing closely on this research we run two Masters and a PhD programme.
> >> >
> >> > http://www.gold.ac.uk/cultural-studies/ccsdigitalcultureunit/
> >> >
> >> > MA Interactive Media, critical theory and practice.
> >> >
> >> > The MA Interactive Media offers students the opportunity to equally
> >> > develop theory and practice-based research on the information systems
> >> > embedded in the technical, cultural, aesthetic, and political structures
> >> > of society and how we interact with them.
> >> >
> >> > Building on the Centre for Cultural Studies research excellence in
> >> > software studies, media philosophy and digital arts practices, students
> >> > will learn to employ advanced research and practice-based methodologies
> >> > to enhance and develop their own skills.
> >> >
> >> > Student research and experiments focus on new and historical modes of
> >> > interaction to develop a critical understanding of technical objects in
> >> > the way they are implicated in who we are today.
> >> >
> >> > The programme will help students prepare for or develop a critical
> >> > career in the cultural, creative, educational, or computational sectors.
> >> >
> >> > Central to the MA is the Centre for Cultural Studies FLOSS (Free Libre
> >> > Open Source Software) Media Lab. This is a social hub as well as a place
> >> > to study. Students from around the world with different backgrounds and
> >> > research interests in software development, design, philosophy, art,
> >> > activism, media theory, curating, or programming, share, exchange and
> >> > refine skills and specialized knowledge, developing individual and group
> >> > projects. As well as attending lectures and seminars, students crucially
> >> > spend at least 9 hours a week in the Lab with close supervision in this
> >> > technically and critically challenging environment.
> >> >
> >> > The MA is jointly convened by the leading theorist Luciana Parisi
> >> > (author of Contagious Architecture. Computation, Aesthetics and Space,
> >> > MIT Press) http://www.gold.ac.uk/cultural-studies/staff/l-parisi/, who
> >> > teaches Critical Theory and International artist and Lab Director Graham
> >> > Harwood ("http://yoha.co.uk/";
> >> > http://www.gold.ac.uk/cultural-studies/staff/g-harwood/"; who teaches
> >> > practice based enquiry. They are joined by theorist Matthew Fuller
> >> > (editor of Software Studies, co-author of Evil Media, MIT Press) who
> >> > teaches Software Studies
> >> > http://www.gold.ac.uk/cultural-studies/staff/m-fuller/; with special
> >> > input from Bernard Stiegler (author of Technics and Time) who teaches
> >> > Media Philosophy
> >> >
> >> > http://www.gold.ac.uk/pg/ma-interactive-media-critical-theory-practice/
> >> >
> >> > MA/MSc in Creating Social Media
> >> >
> >> > This unique theory and practice programme combines computing and
> >> > cultural studies to provide students with the practical and critical
> >> > skills to shape the future impact of social media. You will analyse
> >> > existing ideas, approaches and tools and plan, develop, hack and
> >> > implement ground-breaking interventions.
> >> >
> >> > The MA/MSc is a collaborative theory/practice programme across the
> >> > Department of Computing and the Centre for Cultural Studies. Based on
> >> > emerging examples, students explore the technological and intellectual
> >> > questions coming to prominence with social media and social computing.
> >> >
> >> > Social media, at its most interesting, develops new forms of connecting,
> >> > relating, sharing and competing. Effective and innovative social media
> >> > creation, therefore, involves theoretical and practical knowledge of
> >> > both software development and social processes. Students learn how to
> >> > hack social media, how to conduct digital research, how software tools
> >> > enable different forms of social practice, and how social media projects
> >> > can be successfully launched.
> >> >
> >> > The capabilities that students develop are helping to transform media,
> >> > government, social campaigns, NGOs, companies and startups. Hackdays,
> >> > open innovation and the power of networks are becoming core to the
> >> > future of many organisations and this programme equips graduates to
> >> > accelerate the impact of social media in their chosen field.
> >> >
> >> > Teaching staff include the course convenor Dan McQuillan (co-founder of
> >> > Social Innovation Camp)
> >> > http://www.gold.ac.uk/computing/staff/d-mcquillan/ and theorist Matthew
> >> > Fuller (editor of Software Studies, co-author of Evil Media, MIT Press)
> >> > http://www.gold.ac.uk/cultural-studies/staff/m-fuller/, who are joined
> >> > for specific sessions by leading developers, practitioners and thinkers.
> >> >
> >> > http://www.gold.ac.uk/pg/ma-creating-social-media/
> >> >
> >> > Contact Centre Manager, Lisa Rabanal [email protected]
> >> >
> >> >
> >> >
> >> >
> >> >
> >> >
> >> >
> >> >
> >> >
> >> >
> >> > --
> >> > You received this message because you are subscribed to the Google
> >> > Groups "Open Systems Association" group.
> >> > To unsubscribe from this group and stop receiving emails from it, send
> >> > an email to [email protected].
> >> > To post to this group, send an email to
> >> > [email protected].
> >> > Visit this group at
> >> > http://groups.google.com/group/opensystemsassociation?hl=en-GB.
> >> > For more options, visit https://groups.google.com/groups/opt_out.
> >> >
> >> >
> >> >
> >> >
> >>
> >>
> >> --
> >> --->
> >>
> >> A living - breathing - thriving networked neighbourhood -
> >> proud of free culture - claiming it with others ;)
> >>
> >> Other reviews,articles,interviews
> >> http://www.furtherfield.org/reviews.php
> >>
> >> Furtherfield – online arts community, platforms for creating, viewing,
> >> discussing and learning about experimental practices at the
> >> intersections of art, technology and social change.
> >> http://www.furtherfield.org
> >>
> >> Furtherfield Gallery – Finsbury Park (London).
> >> http://www.furtherfield.org/gallery
> >>
> >> Netbehaviour - Networked Artists List Community.
> >> http://www.netbehaviour.org
> >>
> >> http://identi.ca/furtherfield
> >> http://twitter.com/furtherfield
> >>
> >> _______________________________________________
> >> NetBehaviour mailing list
> >> [email protected]
> >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> > _______________________________________________
> > NetBehaviour mailing list
> > [email protected]
> > http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> >
> >
> > Simon Biggs
> > [email protected] http://www.littlepig.org.uk/ @SimonBiggsUK skype:
> > simonbiggsuk
> >
> > [email protected] Edinburgh College of Art, University of Edinburgh
> > http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art/staff/staff?person_id=182&cw_xml=profile.php
> > http://www.research.ed.ac.uk/portal/en/persons/simon-biggs%285dfcaf34-56b1-4452-9100-aaab96935e31%29.html
> >
> > http://www.eca.ac.uk/circle/  http://www.elmcip.net/
> > http://www.movingtargets.org.uk/  http://designinaction.com/
> > MSc by Research in Interdisciplinary Creative Practices
> > http://www.ed.ac.uk/studying/postgraduate/degrees?id=656&cw_xml=details.php
> >
> >
> > _______________________________________________ NetBehaviour mailing list
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> 
> 
> 
> -- 
> Dave Miller
> UNESCO Research Fellow in Augmented Reality & the Future of the Book
> University of Bedfordshire
> Research: http://augmentedwonder.blogspot.co.uk/
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