Paul, this is a larger question about glitch as an expressive device and the way you have used it to transform your images of the Island of Hierro. In your case, it seems that glitch is a “technique” for intentionally altering or stylizing a series of photographs, whereas often glitch is a process of “found accidents” to investigate the stray occurrences and gestures that result in the making and breaking of digital images. I have been following the glitch scene fairly carefully over the past few years and it is remarkable to see how far and wide this practice has evolved for so many artists. Where do you see yourself in the “glitch continuum?”
Isla Del Hierro Virtual <https://www.flickr.com/photos/ignotus/sets/72157650716881840/with/162016791 76/> is a series of glitched images of the Island of Hierro in the Canary Islands, captured form Google Street View. I lived on that island for a while in the 1970s, when the only way to get there was by boat four times a week. International communication was by a special phone in the Central Telefónica. It was really far away. Now it is so close by I can visit it by internet any time I want. I did go back two years ago, and reunited with old friends, the children of a family that had been especially close to me. -- Paul On Mon, Mar 2, 2015 at 1:17 PM, Randall Packer <[email protected]> wrote: > I am intrigued by Alan Sondheim’s response to our NetArtizens call with a > reference to cultural heritage as a sequence of datapoints, i.e.: > > 0000000067141066147020145071157060440063556066145063040* > 0000020071157072040062550062563061040064545063556020163* > 0000040067543062555072040071150072557064147060440074556* > > Here are some questions to consider: > > Are we in fact producing a cultural history that emanates from the > language of computers? Are the cultural references of today increasingly > coded in numerical values that will need to be compiled and encoded in the > far future by curious historians of the 21st century? What in fact are we > leaving behind for future generations on our hard drives and cloud > repositories? And how will the technological culture of today be viewed > when these values are no longer decipherable. Are we in fact erasing our > historical past as we create it for the digital future? > > Randall > > > > On 3/2/15, 11:07 AM, "ruth catlow" <[email protected]> wrote: > >> >Dear NBers >> > >> >You can see some early submissions to 0p3nR3p0 here >> >http://0p3nr3p0.net/show/netartizens >> > >> >I have been tweeting some of them to twitter.com/netartizens >> <http://twitter.com/netartizens> using the >> >#netartizens hashtag. >> > >> >Check them out. >> > >> >Send @Lowpolybot your images for auto-asbtract low-polygon artworks by >> >@quasimondo http://bit.ly/18EPVBG. #netartizens >> > >> >net art expressionism or glitchart? - D!G!t4L.DUMP!ng.GR0UND by >> >@domibarra http://bit.ly/1DvQAwN #netartizens >> > >> >The Camera in the Mirror by Mario Santamaria: Google robot sees itself >> >reflected in the mirror. http://bit.ly/1APnn2z #netartizens >> > >> >Cultural Heritage by @alansondheim http://www.alansondheim.org/ch.png >> >#netartizens >> > >> >Cheers >> >Ruth >> > >> >The NetArtizens Project >> >http://www.furtherfield.org/netartizens/ >> > >> > >> > >> >On 02/03/15 13:30, Randall Packer wrote: >>> >> Greetings Everyone: >>> >> >>> >> First, thank you Marc & Ruth, along with Nick Briz & Joseph Chiocchi >>> >>from >>> >> 0p3nr3p0.net <http://0p3nr3p0.net> , who have been working for the past >>> weeks to create the >>> >> NetArtizens Project, which begins today and culminates with the Art of >>> >>the >>> >> Networked Practice | Online Symposium (March 31 April 2). >>> >> >>> >> So to begin the conversation, what does it mean to be a NetArtizen? That >>> >> is the subject at hand over the next month, not to be defined by us, but >>> >> fleshed out in in this space through all the varying perspectives that >>> >> make up this community. >>> >> >>> >> And furthermore, as NetArtizens, we ask: how has your practice as an >>> >> artist, educator, writer scholar & activist been shaped / catalyzed / >>> >> transformed / by your use of the network? How has the Net altered the >>> >> creation, contextualization, and diffusion of your work? How has the Net >>> >> impacted your studio process? And finally, in reference to this forum, >>> >> what are the various ³net behaviours² that result in the immersion & >>> >>flow >>> >> of media creation, research, and information distribution that we >>> >> participate in each and every day via the network? >>> >> >>> >> As we consider and discuss these questions (and more!), we approach the >>> >> NetArtizens Project as an opportunity to experiment in the power of the >>> >> network to catalyze collective narrative. As NetArtizens, we have the >>> >> means to tell our stories, share our work, debate our opinions - not >>> >>just >>> >> as individual broadcasters speaking to the multitude but >>> >>collaboratively >>> >> in a hyper-distributed, socially-engaged, many-to-many exchange of ideas >>> >> and opinion. >>> >> >>> >> We invite you to explore the NetArtizens Project, survey the landscape >>> >>of >>> >> discourse & production we have provided, and become a >>> >>³super-participant² >>> >> by shaping & sharing & disseminating the ongoing narrative. If the flow >>> >>of >>> >> this project becomes a drowning experience, we ask that you embrace and >>> >> critique it! That¹s the only way we¹ll come to terms and fully grasp the >>> >> meaning of our evolving role as NetArtizens. >>> >> >>> >> Best, >>> >> >>> >> Randall >>> >> >>> >> The NetArtizens Project >>> >> http://www.furtherfield.org/netartizens/ >>> >> >>> >> The Art of the Networked Practice | Online Symposium >>> >> http://oss.adm.ntu.edu.sg/symposium2015/ >>> >> >>> >> Reportage from the Aesthetic Edge >>> >> http://www.randallpacker.com/ >>> >> >>> >> >>> >> >>> >> >>> >> >>> >> >>> >> On 3/2/15, 7:00 AM, "ruth catlow"<[email protected]> wrote: >>> >> >>>> >>> Dear Netbehaviourists, >>>> >>> >>>> >>> It is our pleasure to introduce Randall Packer, composer, artist, >>>> >>> writer, educator, former Secretary of the US Department of Art & >>>> >>> Technology, and convener of the upcoming Art of Networked Practice | >>>> >>> Online Symposium (31 March 31 2 April 2015). >>>> >>> >>>> >>> We have invited Randall to act as host and moderator for The >>>> >>>NetArtizens >>>> >>> Project, a month of discourse and artistic production across 3 network >>>> >>> channels including our very own Netbehaviour discussion list, beginning >>>> >>> right here, right now, and leading up to the symposium. You are also >>>> >>> invited to contribute to the NetArtizens Open Online Exhibition, an >>>> >>> evolving showcase of works submitted between March 2 April 2, 2015. >>>> >>> >>>> >>> For more information about The NetArtizens Project and how to >>>> >>> participate:http://www.furtherfield.org/netartizens/ >>>> >>> >>>> >>> We invite you all to join us to explore, express, and debate the role >>>> >>>of >>>> >>> the network in our individual and collective practices as artists, >>>> >>> scholars, educators, and citizens of the Net. >>>> >>> >>>> >>> The NetArtizens Project is devised by Furtherfield in collaboration >>>> >>>with >>>> >>> Nick Briz & Joseph Chiochhi. >>>> >>> >>>> >>> RELEVANT LINKS: >>>> >>> >>>> >>> Randall Packer >>>> >>> http://www.randallpacker.com/ >>>> >>> >>>> >>> The NetArtizens Project >>>> >>> http://www.furtherfield.org/netartizens/ >>>> >>> >>>> >>> Art of the Networked Practice | Online Symposium >>>> >>> http://oss.adm.ntu.edu.sg/symposium2015/ >>>> >>> >>>> >>> Randall will say more about it now...! >>>> >>> Can't wait to see what happens!!! >>>> >>> >>>> >>> Marc, Ruth and the Furtherfield Crew >>>> >>> >>>> >>> ---> >>>> >>> >>>> >>> A living, breathing, thriving networked neighbourhood - proud of free >>>> >>> culture, claiming it with others ;) >>>> >>> >>>> >>> Furtherfield online arts community, platforms for creating, viewing, >>>> >>> discussing and learning about experimental practices at the >>>> >>> intersections of art, technology and social change. >>>> >>> http://www.furtherfield.org >>>> >>> >>>> >>> Reviews, articles, interviewshttp://www.furtherfield.org/features >>>> <http://www.furtherfield.org/features> >>>> >>> >>>> >>> Furtherfield Gallery Finsbury Park, London. >>>> >>> http://www.furtherfield.org/gallery >>>> >>> >>>> >>> Netbehaviour - Networked Artists List Community. >>>> >>> http://www.netbehaviour.org >>>> >>> _______________________________________________ >>>> >>> NetBehaviour mailing list >>>> >>> [email protected] >>>> >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| --- http://paulhertz.net/ _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
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