Hi Marc,

Yes, I actually think that this (upon reflection) is one of the crucial 
ingredients to good street art - that it locates culture in a physical, public 
way. As an example of that, cross-culturally, take a look at these ‘urban 
wandjina’ (a painting of a spirit, quite spooky) that are turning up on trees 
and walls in and around Perth: 
https://duckduckgo.com/?q=urban+wandjina&t=ffsb&iax=1&ia=images

I wonder what the English equivalent would be, Marc?

g.




> On 05 Jul 2016, at 12:56, marc garrett <[email protected]> wrote:
> 
> Hi Gretta & all,
> 
>  
> I was thinking about your comments regarding ‘Home/land/culture/folklore’, 
> and was reminded of much of my own past activities regarding street art, 
> pirate radio and pirate television in Bristol, in the late 80s and early 90s.
> 
>  
> What I found special when working in pirate radio was we were part of a grass 
> rooted, and diverse community; collectively peer promoting our varied 
> creative voices and identities, on shared terms. In fact, many were involved 
> in producing some of the content as well as offering their own homes as 
> venues for these many pirate broadcasts.
> 
>  
> I think what seems to be missing from the conversation around Brexit is: 
> whether people can now manage to reclaim their own personal, social and 
> cultural narratives and identities; in ways that can be robust in the face of 
> whatever government is voted in, as well as other everyday pressures that are 
> usually imposed on the psyche via media and corporations? 
> 
> 
> 
> Wishing you well.
> 
> 
> 
> marc
> 
> 
> On 5 July 2016 at 10:01, Gretta Louw <[email protected] 
> <mailto:[email protected]>> wrote:
> 
> Definitely agree, Ruth. The other thing I was discussing with Katriona Beales 
> last night over Skype, as a result of the last few weeks for me of the 
> exhibition, being with the Warnayaka artists in London and here in Munich, 
> and lots of talking, was about the notion of home and what it means. We 
> (mostly left wing, revolutionary etc artists) tend to cringe at words like 
> tradition and folk culture etc, but Jampijinpa has swayed me a lot and I have 
> seen that there is a way to be attached to home (a deep notion of this) that 
> is about land, old culture, folklore and folk culture, tradition etc that is 
> not bound to the right wing/reactionary politics and ugly nationalism that we 
> usually associate with those things. Home/land/culture/folklore - these can 
> all be things that anchor and ground us without making us close off to 
> change, people and ideas from other places, technology, and social 
> progression. The way that the Warlpiri matter of factly appropriate digital 
> technologies for their own cultural aims is exemplary of this. 
> In these times of right wing and nationalistic hype, it seems that this goal 
> - of defining an accepting, strong, solid, meaningful notion of home (that is 
> rooted not in fickle political values or trends, but in the land itself), 
> that allows ppl to feel secure enough to welcome others on their own terms 
> (as the first nations peoples in Australia, for example, are often quoted as 
> saying about asylum seekers today) - this is a goal that is extremely 
> significant.
> 
> g.
> 
> p.s. Ruth, this is what the article I sent you is trying to get at. I’m not 
> sure if it’s clear yet...
> 
> 
> 
> 
>> On 05 Jul 2016, at 10:45, helen varley jamieson <[email protected] 
>> <mailto:[email protected]>> wrote:
>> 
>> yes, it is bigger than just the EU. for example, at the beginning of the 
>> article ruth shared, it says " During membership of the EU the division 
>> between rich and poor [in the UK] has increased, with the poorest suffering 
>> a fall in living standards." but this isn't because of the EU - the same 
>> thing has happened during the same time period around the world outside of 
>> the EU, such as in new zealand. it would have happened in the UK even if 
>> they'd never been part of the EU. so it's interesting to read this 
>> interpretation of the referendum vote as a rejection of rampant neoliberal 
>> capitalism by both sides.
>> 
>> i'm curious about the assertion that the EU was a CIA initiative (the 
>> footnotes for the article are not on the web page). it doesn't really 
>> surprise me (is there anything left in the world that the CIA hasn't had its 
>> fingers in???) but i would like to know more about this.
>> 
>> i'm looking forward to chatting about it all with ruth next week :)
>> 
>> h : )
>> 
>> On 3/07/16 11:52 41AM, Joseph Young wrote:
>>> Thanks for starting this important thread...
>>> 
>>> The key to this is changing the narrative and placing the blame for the 
>>> current position squarely on our (successive) right-wing governments and 
>>> their failed and unnecessary austerity policies. Whatever "European" 
>>> artwork is produced has to concentrate on challenging the dominant 
>>> narratives that have allowed UKIP et al to convince post industrial working 
>>> class communities that the EU is to blame rather than their own government. 
>>> 
>>> Joseph Young
>>> Artist : Activist : Cultural Producer
>>> 
>>> artofnoises.com <http://artofnoises.com/>
>>> @artofnoises / @artsforeu
>>> 
>>> On 3 Jul 2016, at 11:13, ruth catlow < 
>>> <mailto:[email protected]>[email protected] 
>>> <mailto:[email protected]>> wrote:
>>> 
>>>> Thanks Steven and Anita, for initiating this conversation.
>>>> 
>>>> I, like many people I have spoken to over the last week (including our 
>>>> many European friends and colleagues in the UK and on the continent) have 
>>>> found this last week very distressing.
>>>> 
>>>> The referendum promoted a narrative, supported in ALL mainstream media, 
>>>> (not just in the UK it seems, but across Europe)... that characterizes the 
>>>> British people, and especially the English, as wannabe-again-Imperialists, 
>>>> and (depending on their class) either dumb, uneducated and racist; or 
>>>> hubristic Neoliberal muppets.
>>>> 
>>>> This narrative is now amplified (and seemingly proved) by an upsurge of 
>>>> street-level racism and hostility towards our neighbours from Germany, 
>>>> Poland, Greece, Romania etc who have enriched our lives by making theirs 
>>>> in the UK. 
>>>> 
>>>> Before the referendum, I found myself uneasy about actually campaigning 
>>>> for Remain in spite of my desire for pan-European peoples' alliance- 
>>>> because I couldn't ally myself with the dominating political arguments 
>>>> proposed by the Tories (and backed up by big-business and the 
>>>> establishment), and didn't want to participate in a process that further 
>>>> stamped on the dignity of people in the UK who are already so 
>>>> disenfranchised by the effects of austerity cuts (and many years of other 
>>>> systemic injustices). The social-liberal 
>>>> <http://www.theguardian.com/politics/2016/jul/02/march-for-europe-eu-referendum-london-protest>
>>>>  layer in the UK is now finding its voice, but the reporting of the 
>>>> protests reinforces the Leave-voter caricatures. 
>>>> 
>>>> So I am looking for better information. Here's some 
>>>> <http://www.globalresearch.ca/regime-change-in-britains-labour-party-the-ashcroft-opinion-poll-is-this-why-jeremy-corbyn-must-go/5533742>
>>>> 
>>>> A UCL study has shown that the poorest 20% of British workers have indeed 
>>>> been affected adversely by immigration... [nevertheless]....Asked which of 
>>>> the following they considered to be forces for good, a considerable 
>>>> proportion of leave voters expressed support for multi-culturalism (29%), 
>>>> social liberalism (32%), globalisation (49%), the green movement (38%), 
>>>> feminism (40%) and even immigration (21%). About half of the voters, 
>>>> whether leave or remain, felt capitalism was a force for ill rather than a 
>>>> force for good (51%:49%).
>>>> 
>>>> Whatever we do, I think we need to build solidarity with other people who 
>>>> are suffering the effects (and they are many) of the bank crisis and 
>>>> resulting austerity politics.
>>>> 
>>>> Respect,
>>>> 
>>>> Ruth
>>>> 
>>>> <alt_chess_icon2.gif>
>>>> http://www.furtherfield.org/rcatlow/rethinking_wargames/ 
>>>> <http://www.furtherfield.org/rcatlow/rethinking_wargames/>
>>>> On 02/07/16 19:19, Steven Ball wrote:
>>>>> I’m posting this to following a brief conversation with Anita McKeown, 
>>>>> Ruth, and Marc. 
>>>>> 
>>>>> The ramifications for life in the UK after the EU referendum are still 
>>>>> very unclear. Parliamentary politics is in meltdown and the direction of 
>>>>> travel for future government seems to be further right, the economy is 
>>>>> looking precarious, meanwhile a toxic wave of overt public racist 
>>>>> violence is spreading across the country. It is tempting to think that we 
>>>>> are entering a disturbingly illiberal dystopia. Artists cannot sit by or 
>>>>> remain in a bubble while this happens, the necessity of responding to 
>>>>> this situation is urgent, but what can we do, what are we doing?
>>>>> 
>>>>> The purpose of this discussion is twofold:
>>>>> - Firstly and most simply to make connections, to share information about 
>>>>> what we are doing in response as part of our practice, to share news and 
>>>>> information of any exhibitions or opportunities to produce public 
>>>>> responses to the current situation.
>>>>> - Secondly to speculate how we might produce and present work that 
>>>>> responds to the current situation, what is the nature of that work, who 
>>>>> does it address, and where will it be exhibited.
>>>>> 
>>>>> We invite and welcome your action, thoughts, and ideas.
>>>>> 
>>>>> 
>>>>> 
>>>>> 
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>>>> 
>>>> -- 
>>>> Co-founder Co-director
>>>> Furtherfield
>>>> 
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>>>> 
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>> -- 
>> helen varley jamieson
>> [email protected] <mailto:[email protected]>
>> http://www.creative-catalyst.com <http://www.creative-catalyst.com/>
>> http://www.upstage.org.nz 
>> <http://www.upstage.org.nz/>_______________________________________________
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> 
> -- 
> -- 
> 
> Marc Garrett
> Co-Founder, Co-Director and main editor of Furtherfield.
> 
> Furtherfield - A living, breathing, thriving network
> http://www.furtherfield.org <http://www.furtherfield.org/> - for art, 
> technology and social change since 1996
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