Nicely put.
I hear the murmurings of "keyed or unkeyed" in the offing........
Colin Hill
----- Original Message ----- 
From: "Matt Seattle" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Sunday, November 05, 2006 8:15 PM
Subject: [NSP] Re: preserving the tradition....a non-traditional approach


> >From: [EMAIL PROTECTED]>
>
> >Sent: Sunday, November 05, 2006 3:20 PM
> >Subject: [NSP] Re: preserving the tradition....a non-traditional approach
>
> >This is why I begged that
> >some
> >> of the  people who are imbued with the tradition, and know which are,
and
> >> which are  not, the truly traditional tunes, would make a list of 20 -
30
> >> traditional  tunes to enlighten us.
>
> It is obviously a matter of taste that we are really talking about rather
than
> tradition as such, because if something gets played for long enough it is
> traditional, whether a piping snob such as myself likes it or not. But,
getting
> at what is behind the question, my recommendation would be the 25 or so
plain
> chanter variation sets in Peacock for a start. I know some people can't
stand
> that stuff, and it certainly wasn't clear to me for the first few years
what it
> was all about; but then, you get out what you put in. There is enough
instant
> musical gratification elsewhere.
>
> Throughout this discussion, for what it's worth, I write not as someone
who plays
> NSP (I don't) but as someone who regards the instrument, its repertoire
and a few
> of its players, as the chief means of transmission into modern times of
the
> spirit of Border piping, which is my real interest.
>
> I realise that the activity of NSP-ing means different things to different
> people, but I believe that there is something precious at the heart of the
> tradition, the more so because it is so misunderstood, non-mainstream and
lacking
> in any kind of academic recognition.
>
>
>
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>
>



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