Perhaps, you could make the recordings yourself, Colin.  That way the
   bench would be quite clearly marked.  It would seem likely that there
   could be all sorts of interpretations of a tune, or bad playing
   technique, if the sound source were another instrument.
   Last night I played tunes with a friend, an ear player who grew up in
   Morpeth, was active in the folk scene in Northumberland for many years
   before moving here.  He plays stringed instruments, so the popping pipe
   sound goes nicely with the slurry string sound.  He doesn't play any of
   the tunes note for note the way they appear in the books, because he
   picked them up by ear, having heard many from the time he was a lad.
   If I said, look, you're not playing that tune correctly, it would be
   like the anthropologist telling the tribesman in New Guinea he's
   hunting monkey incorrectly.
   One tune in particular, "The Hesleyside Reel", is very difficult for me
   to play at his tempo without cutting out some of the notes.  Was it
   written for the pipes?  It's a lovely tune, but my right hand's
   ligature doesn't like it very much unless I play it at a rambling pace.
    Now, I realize, if I had Chris Ormston's technique I could do it
   properly, but I never will (I'm not alone, am I?).  If the choice is
   mucking up the tune or adapting it to fit my technical abilities,
   what's a guy to do?
   John

   rosspi...@aol.com

   03/10/2009 10:40 AM

                                                                        To

   j.gibb...@imperial.ac.uk

                                                                        cc

   nsp@cs.dartmouth.edu

                                                                   Subject

   [NSP] Re: First 30 tunes

   Dear John,
   When I was saying that I thought the tunes in the 'First 30 Tunes'
   might be better played on some other instrument than the small pipes to
   give an idea of how the tune went it was to avoid the copying of pehaps
   bad playing technique from pipers who had contributed tracks for the
   CD. I had no experience of using ABC copies of the tunes to generate
   audio copies but it seems to be a relatively straightforward way of
   getting the printed tunes out there to be heard. At the moment the NPS
   is only interested in producing a CD to accompany the '30 tunes' book
   but as we have most of the other tunes that are in our publications in
   ABC form it could be applied to all those tunes that beginners have
   difficulty in lifting off the page.
   As you say the main problem is in finding someone to do the job.
   Colin R
   -----Original Message-----
   From: Gibbons, John <j.gibb...@imperial.ac.uk>
   To: 'colin' <cwh...@santa-fe.freeserve.co.uk>; nsp@cs.dartmouth.edu
   <nsp@cs.dartmouth.edu>
   Sent: Tue, 10 Mar 2009 16:41
   Subject: [NSP] Re: First 30 tunes
     An abc pipers' tunebook should ideally -
       * Not be a copy of a printed source. It might affect its sales. Let
         alone copyright questions.
       * So should be mostly traditional unpublished material.
       * It could contain new tunes too, if submitted by the composer -
         copyright again.
        * It should be communally authored - wait for a single author and
   it
         will take a long time, and will mirror his taste; be it excellent
          or otherwise, someone will disagree! It is a view of the
   tradition
         that we are after, not just Joe Bloggs' bit of it.
       * Abc's could be submitted to the nsp mailing list, and someone
         web-literate could put it online.
       * So we need a willing able volunteer.
       * Here the plan falls to the ground.....
     John
     -----Original Message-----
     From: nsp-request+j.gibbons=ic.ac...@cs.dartmouth.edu
     [[1]mailto:nsp-request+j.gibbons=ic.ac...@cs.dartmouth.edu] On Behalf
     Of colin
     Sent: 10 March 2009 16:23
     To: nsp@cs.dartmouth.edu
     Subject: [NSP] Re: [NSP]Re: irst 30 tunes
     I'm glad you wrote this.
      I suggested something similar but my post never appeared (that
   happens
     quite
     often and yes, I did send it to the list, not the person who posted
     it).
     As I said there, I've been trying to do something similar with a book
     of
     hurdy gurdy tunes but some other player beat me to it by playing all
     the
     tunes on the piano and making it available as an mp3.
     The cries of "ah, that's how that bit goes" continue to echo.
     Colin Hill
     ----- Original Message -----
     From: "Mike and Enid Walton" <mikeande...@worcesterfolk.org.uk>
     To: <nsp@cs.dartmouth.edu>
     Sent: Saturday, March 07, 2009 6:53 AM
     Subject: [NSP] [NSP]Re: irst 30 tunes
     >
     >   If tunes (the "first 30" in the current context, but it holds for
     all
     >   the NPS tunes) were posted in "abc" format on the NPS website, it
     would
      >   enable people with the necessary programs to print them in
   whatever
     >   format they wished, hear them as midis, transpose them etc.  It
     might,
     >   of course, reduce the sales of NPS books.
     >
     >
     >
     >   I thought about this when we were playing tunes on F chanters at
      >   Halsway with other musicians.  The music books proferred by
   pipers
     were
     >   of course no good to the other musicians unless they were really
     expert
     >   at transposing on the hoof.
     >
     >
     >
     >   Mike Walton
     >
     >   --
     >
     >
     > To get on or off this list see list information at
     > [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     >
     --
   References
     1. mailto:nsp-request+j.gibbons=ic.ac...@cs.dartmouth.edu
     2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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