To John Julia & Matt and all
This has been a wonderful interchange and highly enjoyable save in one
respect. The horrible midi noise made as my computer plays the
examples. I can't be the only one who would love to hear the points
made on the instrument(s) the tune(s) was/were developed for.
A recording via an inexpensive mic directly into the computer would be
a vast improvement on the tinny piano I've been listening to. Could
there be a vault where examples are stored not just for people on this
list but other pipers too?
I realise some immediacy would be lost but it would be a wonderful
resource once the discussion was over.
Cheers
Anthony
--- On Fri, 5/11/10, Julia Say <[email protected]> wrote:
From: Julia Say <[email protected]>
Subject: [NSP] Re: Where hast thou been all the night?
To: "NSP group" <[email protected]>, "Gibbons, John"
<[email protected]>
Date: Friday, 5 November, 2010, 16:01
On 5 Nov 2010, Gibbons, John wrote:
>Crawhall's tags... are harmonically as well as melodically
> different from Reavely,
Exactly - which is why I think there's two possible sets there.
> the illegibilities in Crawhall seem
> to be mostly his fault...
Was he noting this down in haste, I wonder? There are similarities in
parts of the
Clough MSS, where the writing is obviously that of Tom (3), but not the
considered
and legible stuff of the "best" collection...
> I will happily contribute to the medal fund for a sight of Reavely!
Copy, I think, is what we need (OK, so it's a wish list). It's easy to
look at an
MS and make an index, but with an anxious owner hovering one cannot
spend enough
time to even abc much.
> Matt's strains ... definitely don't require an open-ended chanter.
OK, thanks for that. Thanks to a damaged right elbow, I'm not very
fluent on
anything at present.
> some work before I get home....
Working out how to rake in all those tuition fees?? <grin>
Julia
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