We began accepting payments by card about a year before Covid reared its ugly 
head. We use bluetooth reader and “PayPal Here” for processing. Four board 
members have the app on their phones, so a couple of us are always there. As a 
non profit I believe that PayPal waives the per-transaction fee but there is 
still a processing fee based on the amount charged. Only a small percentage of 
our dancers use a card.  We have recently started looking into Venmo. 

We pay our band a minimum per musician up to 5 players. If we take in more than 
the payout, the excess is split between band, caller and organization. Since we 
restarted we have not had an excess. (Although we are approaching pre-pandemic 
attendance )

We have always kept a cash reserve on hand in case there were not enough 
dancers to meet the minimum payout. Since we restarted our series, we doubled 
that amount to cover both a lower attendance and electronic payments. Our first 
few months back we also had a shortage of bands willing to come out, which 
actually worked in our favor. We used recorded music every other week which 
allowed us to build up a small cash reserve. Fortunately we are once again able 
to have live music at all our dances.

Sent from my iPhone

> On Aug 29, 2022, at 9:21 PM, jim saxe via Organizers 
> <[email protected]> wrote:
> 
> Thanks for all the informative responses so far.
> 
> In my query at the top of this thread, I wrote:
> 
>> (For example, if a dance series [starts] having a very high percentage of 
>> dancers paying electronically, then paying performers in cash at the end of 
>> the evening may become problematic.)
> 
> Another situation where accepting electronic admission payments might 
> interact with staff pay procedures is the case where the organization uses a 
> staff pay formula that depends on door receipts (though perhaps with a 
> guaranteed minimum). In this case, the dance manager must know the door 
> receipts in time to pay the staff. If an electronic payment platform can't 
> report its total receipts for an event on the spot (e.g., because of delays 
> for payments to clear or for periodic reports to be generated), that could be 
> a problem. [See question marked "***" below.] Also, if an organization has, 
> say, an English dance and a contra dance in different cities on the same 
> evening, admission payments to the two events by cash or check won't 
> magically get jumbled up with each other, but electronic payments might 
> unless the platform provides support for separate accounts (preferably 
> without a lot of extra cost). Our local dance managers currently do accept 
> payments of membership dues at dances, and 
> they have to know about keeping those separate from admission payments. If 
> electronic payment platforms don't make that any easier, I'd hope they at 
> least wouldn't make it any harder.
> 
> I welcome comments from those in the know about how any of the popular 
> electronic payment platforms address (or fail to address) any of the issues 
> above. And of course I welcome additional comments on any other issues 
> relevant to accepting electronic payments at dances.
> 
> *** Is there anyone here who's involved with--or who knows of--a dance series 
> where starting to accept electronic payments has resulted in a change of 
> procedure such that performers are no longer paid on the date of the event 
> (either because information to compute the correct pay may not be available 
> or because adequate cash may not be available), and where they instead get 
> mailed a check some time later? If so, how has that change been received by 
> musicians and callers (either local or touring)? Is anyone here involved 
> with--or aware of--a dance series that has historically paid performers some 
> time after the date of the event for reasons unrelated to electronic 
> admission payments?
> 
> Thanks again.
> 
> --Jim
> 
> 
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