Mike,

> 
> I beg to differ. Having taken two photograph classes
> recently, everyone is
> interested in digital. Why? It's new. The color
> comes out sharp. And one can
> print one's own prints -- that is extremely
> attractive. Not just women are
> interested in that.
> 

Yes, it's new and that's very attractive to people who
haven't yet played with digital.  
I also agree that digital, when matured, has more
given potential than film, which is cost and color
consistency if the proper profile is used.  
But having said that, does digital's color comes out
better than regular film?  The answer is a yes and a
no.  

Most people who bring their film to be processed by
Wal-mart or any low priced, high capacity developer
will undoubtly have prints with inconsistent quality. 
I knew that one Nikon rep cheated with one of his
Nikon's point and shoot (a known dud) that he got his
prints from a Fuji Frontier and his comparison,
another competitor's camera using a low end Fuji mini
lab.  He then proclaimed that his point and shooter
takes sharp and colorful images than the other
competing brand.  While it is true that it takes good
pictures, the developer's machine was the reason why
he's getting great shoots and not the camera.. 
 
So many people had mistaken that their digital shots
were printed better than their film's counterpart. 
But upon closer inspection, they had to use a more
dedicated digital service that use a machine that
inherently prints better like the Frontier.  Does that
mean digital is better than film?  Not really.  What
that means is that, the lab is doing a good job.  With
my Espio 928 and a Frontier Lab, I can run rings
around any consumer version level zoom compact digital
printed under the same lab condition. 

If we compare quality, let's compare apples with
apples..

As for people being able to print prints by
themselves.  That's more hype than reality..  The
problem is this..  Most cheap desktop printers you buy
from Best Buy or CompUSA don't come with a RIP and a
color management software like that from BEST (EFI --
Electronics For Imaging).  If you want something like
that added to your desktop printer, an iProof PowerRip
2000 or PowerRipx is $395.  A more expensive version
is $995!!!  
Why do you need a RIP and color management??  
That is because, most people don't know that inkjet
printing is an art, a technical art that requires some
expertise to match the color you see on the screen to
the color that's printed on paper.  There is a
difference.  The color you see on the camera's screen
is transmissive, while the color you see on paper is
reflective, thus is at the mercy of the ambient light
that's currently being examined under..
I have clients who thought they knew everything about
color management and went ahead to print their own
prints were clearly very dissapointed that the colors
were not what they wanted.  They went ahead, wasted
$500 worth of ink, paper and time to create a custom
ICC profile, only to repeat the process again if they
use a different ink( being cheap for a consumer) and a
different paper media (again being cheap!).  What they
don't realize is that different ink and different
paper media requires a different ICC profile.  That is
why, we have services like Chromix or ICS to generate
the custom profile..  The cost is about $99 a pop.

Would a consumer who want to print prints themselves
spend all this money just to get a 4x6 or 5x7??  Not
really..  Will their prints rival that of a Frontier
lab?  Yes, under the guidance of a real professional
with good color management background, which
unfortunately, your normal jane and joe do not have..
And not to mention that, most inkjet inks and paper
are not of archival quality.  To be archival, you need
to depend on third party inks and paper, which
translates to more money..    

> But mainly it's new. You are seriously
> underestimating people's desire for
> new toys. This is why digital is reviving people's
> interest in photography,
> period. It's a new technology which makes it a whole
> new ball game. And that
> game is attracting people new to photography or
> those that have a SLR but
> who haven't used it much.

I have no doubts that digital is a booming sector.. 
Some product photographers are even given an ultimatum
that if they don't shoot digital by the end of this
year, the job goes to someone else who will..  

The reason is basically cost..  It's not cheap to have
your negs or positives scanned by a CreoScitex
Eversmart you know.  And not to mention that a
CreoScitex Eversmart is about $40,000..  And you need
an expert to provide color workflow management.  All
that can be done with a digital camera and a given
profile.  It's cheaper and it's approaching to what
Creo calls it a digital workflow solution..  
Basically, it means saving money..

But before digital takes off, you need a layman's
solution to printing digital images consistently. 
Right now, you have so many software that it'll make
your head spin to get good results..  In the future, I
hope it'll become much simpler..

Rick...


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