I shot a whole roll of KodaColor 400 inside the USAF museum in Dayton,
OH in the early 80's. All of it was with my 50/1.4 and available
light. I was more than pleased with the results. I relied mostly with
the camera's meter. I don't remember if I used my K-1000 or MX. I
don't think I had an ME at the time. Especially stunning was their
stained glass window. I could capture a full static display without
cropping. Anything wider would have looked too busy. The 50 is
definitely your most versatile lens.
Regards,
Steve S.
--
http://people.mn.mediaone.net/sscott2
Kelvin Ang wrote:
> Hello Skip,
>
> What do you usually use a 50mm for? It seems too long
> for a nice landscape and too short for a portrait. I
> would love to get the lens (been rated too well to
> ignore it) but I really don't know how useful it can
> be. It would be nice if other readers could contribute
> what they would use a 50mm for, too.
>
> Kelvin
>
> --- dosk <[EMAIL PROTECTED]> wrote:
> > Yes. Although the DOF, [the part of the picture
> > available just in front of,
> > or just behind, the focused upon subject] is greatly
> > limited as far as what
> > one can include in a close-up f1.4 shot.
> > But this is true with every fast, wide open lens...
> > And at least the FA 50/1.4 focuses sharp as a tack
> > [at every aperture, tho
> > some better than others, naturally] on whatever
> > subject matter is included.
> > And can do so w/o flash, and in very dim light!
> > I have it, and it always goes wherever my SLR
> > goes...
> > A must for outdoor night scenes, and interiors in
> > available light!
> > A fantastic lens!
> > Skip
>
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