While the M 24-50 has a mediocre reputation, the A 24-50 was a new design (same design was used for the F 24-50) and I have one. It seems similar to the M 24-35 (at least in the 24-35 portion) I had for a while in terms of color reproduction, flare resistance, and overall sharpness/resolution, although I have not tested them rigorously.

The A 24-50 is a constant f/4 and has the A contact, and seems to be built nearly to the M 24-35 standard, _much_ better than the A 35-70, for instance, in terms of build quality.

Joe

On Feb 23, 2004, at 5:32 PM, Andre Langevin wrote:


I would also avoid any 24-50 as you cannot hope to get anything close to a good 50mm with such a zoom, while the 24-35 is not that far from the primes it replaces.


Andre


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