lucky you. i tried labs in boston (lots) and nyc (some). both, 1-hr type
and "pro" labs. haven't seen one that would give me back a remotely 
reasonable set of prints.
of course, if i were to order "custom" prints -- that's a different story.
and a totally different price point.
the way i see it, the lack of reasonably priced processing/printing 
basically forces digital down my throat. when i pay $20 to get a set of 
lousy  4x6s that would make me want to yell,  an inkjet starts looking
*very* attractive. oversharpened or not.

best,
mishka

On 4/16/05, Bob Blakely <[EMAIL PROTECTED]> wrote:
> Y'a know, I'm sure there's a plethora of, well, let's just say "ordinary"
> labs out there that are running 35mm through the machines and just
> robot-like punching the buttons to select the machine's suggestion for
> correction, if any, to be applied to prints. No doubt some labs are
> stretching a little on their chemicals too. For some, it may be about money,
> for others it may be about apathy. There are also labs out there where they
> make every effort to insure that first of all, your negatives (positives)
> will be the best that can be produced, given what you tell them, and that
> the results will be uniformly excellent. I gave up on the small (1 hour
> type) labs long ago when my negs were just not up to snuff, and especially
> when I had some come back that looked like film that hadn't been in the hypo
> long enough. I gave up on the department mega Wal-Mart stores when I
> couldn't get decent printing. Right now, I gave up on the photography
> superstores like Samy's when I couldn't talk with the techs any more. Now I
> get everything done at Pro Photo Connection in Irvine, CA. They have an
> impressive big money client list with many of their sometimes famous photos
> on their walls and they want to keep it that way. Now, I'm a hack and they
> treat me the same as the big money clients! It's great to turn in a roll of
> 35, 120, 220 - whatever, and ask for whatever I want (within reason - push
> 1, push 2, pull 1, etc.) and have things turn out like I expected with
> perfect negatives and decent initial prints for proofs. It's also great to
> be able to mark off areas of a print for differing amounts of exposure and
> actually get what I want. They aren't cheap, but they are good and they are
> dependable.
> 
> Regards,
> Bob...
> ------------------------------------------------
> "A picture is worth a thousand  words,
> but it uses up three thousand times the  memory."
> 
> From: "Mishka" <[EMAIL PROTECTED]>
> 
> > So you cannot parse a short english sentence.
> > That's all.
> >
> > Mishka
> >
> >> > even more (by a huge margin) stuff that's produced from film
> >> > in the labs stinks.
> >> > so?
> >>
> >> So you are a bad printer.
> >> Thats all.
> 
>

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