It behooves Boris to define his workflow to some degree. Shel
> [Original Message] > From: <[EMAIL PROTECTED]> > But I think what you're really talking about is the way detail is rendered in shadows and highlights. These attributes are much more dependent on workflow than equipment. If you're shooting digital, you'll have to shoot RAW and process each frame very carefully to achieve optimum results. If you're shooting film, you'll have to find a film that works well with the processing that's available to you. Then it will have to be printed or scanned just so to achieve good results. Most labs will just pump up the saturation and contrast so that the machine prints "pop." That's why I'm very enamored of the digital workflow. I control the entire process. If the results aren't good it's my fault.
