Hi Shel,

well, you seem to have photographed Linda's home, not her work
environment, which is one reason why I can make such a statement about
Nachtwey. The other reason, which illustrates my other point, is that
we know something of what Nachtwey at work is like from the
documentary, from his photographs and from our other reading about
him, so we can see that his office / workspace reflect that part of
his personality.  Nachtwey may be a very different person away from
work, and his home likely reflects that side of him. People are
multi-faceted. I would be most upset if people tried to read my entire
character just from the part of me that I show at work.

--
Cheers,
 Bob 

> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
> Behalf Of Shel Belinkoff
> Sent: 05 July 2006 21:35
> To: Pentax-Discuss Mail List
> Subject: RE: PESO - Portrait
> 
> Hi Bob,
> 
> I agree about the lighting.  Nothing that can be done about 
> it other than
> to photograph the scene at a different time of year and later 
> in the day.
> 
> That there's not "enough" of Linda in the photo is also a 
> part of who Linda
> is.  Were there lots of memorabilia around, knick-nacks, and 
> the like, that
> wouldn't be who she is.  Her environment is rather clean and simple.
> 
> It's a little odd hearing that comment from you in light of a 
> discussion we
> had some time back about Nachtwey's office and working space, 
> which we saw
> in War Photographer.  There was nothing that we saw to show 
> anything of his
> travels or exploits - it was very sparse - yet I recall that 
> we agreed it
> showed something of his character and perhaps even his work habits
and
> preferences, perhaps a need for him not to have reminders of 
> the horrors
> he'd seen, and to be able to work without distractions.
> 
> What you suggest of this photo is that it show more of Linda 
> than she is,
> or something that she's not.  I do appreciate your comments 
> and insight,
> however, and will certainly keep them in mind for similar 
> work I do in the
> future.
> 
> Shel



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