Wait a second Jack, am I reading you right?  There's a good reason to use 
Velvia?

My contention has always been that Velvia is frequently appealing because it 
*brings the image up* in the viewers mind to the level where one doesn't 
think "the picture doesn't do it justice".

Tom C.

"I will not be pushed, filed, stamped, indexed, briefed, debriefed or 
numbered."




>From: Jack Davis <[EMAIL PROTECTED]>
>Reply-To: Pentax-Discuss Mail List <[email protected]>
>To: Pentax-Discuss Mail List <[email protected]>
>Subject: Re: Some images...
>Date: Fri, 4 Aug 2006 07:35:31 -0700 (PDT)
>
>Totally agree!
>
>Jack
>
>--- William Robb <[EMAIL PROTECTED]> wrote:
>
> >
> > ----- Original Message -----
> > From: "Jack Davis"
> > Subject: Re: Some images...
> >
> >
> > It's the "choice" of a large segment of the viewing public. I've
> > always
> > noticed that Pop Photo's Pentax 645 shooting Fitzharris (sp) or the
> > editor's, 'real' them down considerably. Resolution is, IMO, the only
> > reason to shoot Velvia.
> >
> > It does make cheap zoom lenses look good......
> > When Velvia was introduced, there was nothing like it on the market.
> > The
> > reason it did so well was because if you put a "normal" Ektachrome or
> >
> > Fujichrome beside it on a light table, the colours really popped out
> > by
> > comparison.
> > Art directors liked this, it was like 1 Hour Kodachrome.
> >
> > William Robb
> >
> >
> >
> > --
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> > http://pdml.net/mailman/listinfo/pdml_pdml.net
> >
>
>
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