You may be able to undo the "knee" on
the film captures but its going to be
impossible to undo the clipping on
the digital capture when the dynamic
range of the scene exceeds the digital system's
(sensor) recording capability.
jco

-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
graywolf
Sent: Wednesday, December 13, 2006 11:21 AM
To: Pentax-Discuss Mail List
Subject: Re: The "Film Look"


Luckily we can adjust that in Photoshop. It does help some.


J. C. O'Connell wrote:
> But the "look" is similar. I forgot to
> post that in either of these cases
> the film grain is NOT an issue. Its more
> the tonal range captured and the look
> of the extreme highlights. Film captures
> more but the curves are not straight,
> there is a knee on the hightlights. Whereas
> digital can't capture as much range but there
> isnt a knee, its straight right up to
> the point of clipping...
> jco
> 
> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Jack Davis
> Sent: Tuesday, December 12, 2006 9:15 PM
> To: Pentax-Discuss Mail List
> Subject: RE: The "Film Look"
> 
> 
> I've had the same experience. Stills, by their nature, may lend 
> themselves to more scrutiny.
> 
> Jack
> --- "J. C. O'Connell" <[EMAIL PROTECTED]> wrote:
> 
>> My interpretation of the "film look" is like
>> watching a high quality movie ( 70mm print )
>> vs. a high defintion live video broadcast
>> ( more like the "digital" look ).
>> jco
>>
>>
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