I have definately been convinced of the need for a better tool.  I was
trying to save for a second body (it is very inconvinient when Pentax
keeps your only body for three weeks), but I might have to buy
lightroom instead.  We will see.

Russ

On 4/4/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> Yes. You need better tools. Adjustment layers and masking is the way
> to go on this sort of image processing problem.
>
> G
>
> On Apr 4, 2007, at 4:54 AM, Paul Stenquist wrote:
>
> > The land is still muddy. You need to treat the midtones independently
> > of the highlights. You can do that with the shadow/highlight tool or
> > with curves if you're working in PhotoShop.
> > Paul
> > On Apr 4, 2007, at 12:51 AM, Russell Kerstetter wrote:
> >
> >> Here is a new, brighter version.  It is still a little dark, but much
> >> more than this and the clouds are just a white mess.
> >>
> >> http://www.avocadohead.com/piclinks/spare.html
> >>
> >> Thanks again to those who commented.
> >>
> >> Russ
> >>
> >> On 4/2/07, Russell Kerstetter <[EMAIL PROTECTED]> wrote:
> >>> Shel and Godders-
> >>>
> >>> Thanks for taking the time to show me some alternative solutions.  I
> >>> like both of your different takes, I also like that you were able to
> >>> brighten the whole thing up without losing the cloud detail.  I
> >>> fiddled around for a while this evening, but was not able to
> >>> duplicate
> >>> our results.  I can brighten it up some, but by the time I start to
> >>> lose cloud detail the water in the lake is still too dark.  But that
> >>> may be the price I have to pay for using free software :)  So I will
> >>> have to mess around with this some more again tomorrow evening and
> >>> see
> >>> what I can come up with.  Thanks again.
> >>>
> >>> Russ
> >>>
> >>> On 4/2/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> >>>> Your original was rendered extremely dark, Russell. It's a simple
> >>>> landscape scene ... rendered up with a bit bit of balancing between
> >>>> water and sky, you get this rather nice, rather serene feel out of
> >>>> it. I took the liberty of doing a couple of edits to give you an
> >>>> idea
> >>>> where I'd go with it... It includes your original so you can see
> >>>> the
> >>>> differences easily.
> >>>>
> >>>> http://homepage.mac.com/godders/rk2882/
> >>>>
> >>>> This is a case where if I was using Lightroom I could likely do
> >>>> most
> >>>> of what I did with its tools, and presuming I had the RAW file to
> >>>> work with, but with just an 8bit image file to work with Photoshop
> >>>> allows the kind of gentle, selective editing required to bring
> >>>> this up.
> >>>>
> >>>> 1- Don't underexpose. Determine where the brightest elements are
> >>>> that
> >>>> you want to retain detail in and expose correctly for that ...
> >>>> Placing exposure properly like that takes a little time to figure
> >>>> out
> >>>> and if you're not sure you should bracket exposure around it. The
> >>>> histogram shows you an approximation based on values in the JPEG
> >>>> preview that is rendered for every file, but if you're capturing in
> >>>> RAW you can work with what looks like a little bit of highlight
> >>>> overexposures on the histogram. It's not rigorously calibrated, you
> >>>> have to work with it to understand what you're seeing.
> >>>>
> >>>> 2- Yes, this is a problem. Your screen looks overly bright compared
> >>>> to the ambient light and that's tricking your eye. Better to
> >>>> calibrate and profile the screen in modest, normal room light and
> >>>> work that way so that your eyes and the screen are at proper
> >>>> luminance values. I calibrate my screen for 140 lumens, gamma 1.8
> >>>> and
> >>>> 5500K white point in normal, indirect room illumination. Move any
> >>>> light that glares on the screen to a different position so that's
> >>>> not
> >>>> a problem. This will make a huge difference in how your photos
> >>>> come out.
> >>>>
> >>>> Godfrey
> >>>>
> >>>>
> >>>> On Apr 2, 2007, at 12:04 PM, Russell Kerstetter wrote:
> >>>>
> >>>>> Thanks Bruce, PJ, Paul, Markus Shel and Brian for being honest.
> >>>>> When
> >>>>> I look at it objectively, I agree that it is mostly an
> >>>>> uninteresting
> >>>>> picture.  Maybe next time I will try the 'Auto Compose' function
> >>>>> on my
> >>>>> DL.
> >>>>>
> >>>>> I have been told several times, that my pictures are too dark.
> >>>>> To be
> >>>>> clear, we are talking a few stops dark, but not black or
> >>>>> anything like
> >>>>> that, right?
> >>>>>
> >>>>> I think there are two issues here (if anyone cares to comment
> >>>>> further):
> >>>>>
> >>>>> 1)  Foremost, I think I have a tendency to underexpose,
> >>>>> specifically
> >>>>> on shots like this.  I really like detail in the clouds and am
> >>>>> afraid
> >>>>> of losing it even when the clouds are not the most important
> >>>>> aspect of
> >>>>> the picture.  IIRC the histogram for this shot had the highlights
> >>>>> touching the first bar from the right (which is a half-stop
> >>>>> right?)
> >>>>> but I think that what you are seeing on your screen is probably
> >>>>> darker
> >>>>> than just a half-stop.
> >>>>>
> >>>>> 2) I usually work in a dark room because I hate glare off the
> >>>>> screen.
> >>>>> I have been running my mac on gamma 1.8 instead of 2.2, but from
> >>>>> what
> >>>>> I am hearing I think that is a negligible part of my problem.
> >>>>>
> >>>>> Russ
> >>>>> (here to learn)
> >>>>>
> >>>>> On 4/1/07, Russell Kerstetter <[EMAIL PROTECTED]> wrote:
> >>>>>> This is a reservoir/lake near my mother-in-law's house.  Also
> >>>>>> this is
> >>>>>> the first photo I have processed with iPhoto.  I was using
> >>>>>> Lightroom
> >>>>>> beta, iPhoto definately has less features and some irritating
> >>>>>> limitations, but it does have the 'touch-up' tool, which is
> >>>>>> pretty
> >>>>>> handy.
> >>>>>>
> >>>>>> http://www.avocadohead.com/piclinks/IMGP2882.html
> >>>>>>
> >>>>>> Honest comments please, thanks for looking.
>
>
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