on the subject of beautiful cinematography, and Ridley Scott, be sure
to watch The Duellists (again, if necessary). It was Scott's first
feature, made on a miniscule budget mostly in natural light, and
heavily influenced cinematographically by Kubrick's Barry Lyndon. It's
probably one of my top 5 all-time favourites.

Another great cinematographer is Vittorio Storaro, responsible for
(among other things) The Sheltering Sky, The Last Emperor, Last Tango
in Paris, Apocalypse Now!, 1900, etc...

--
 Bob
 

> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
> Behalf Of Derby Chang
> Sent: 14 January 2008 09:22
> To: Pentax-Discuss Mail List
> Subject: Love light - Jordan Cronenweth
> 
> 
> 
> I've always had this thought in my mind. No matter how good or bad a

> film is, in a professional film at least, the consistent 
> factor is the 
> editing and the DOP. It can be a really crappily acted, directed, 
> costumed, recorded, written film. But the editing and the 
> cinematography 
> is at least interesting to watch.
> 
> And then, when everything else comes together, the editing and the 
> cinematography is glorious.
> 
> If you have a chance to watch the the Ultimate Collector's 5-disc 
> edition of Blade Runner, there is a little short on Jordan 
> Cronenweth, 
> the DoP, in the "Enhancement Archive" disc. Normally I fast forward 
> through these self-congratulatory features, but his work on this
film 
> still amazes me. I recommend, if you love still or moving 
> phototography, 
> to get this set, watch all 5 versions of the film, and then 
> be moved by 
> the Jordan feature.
> 
> Derby
> 
> -- 
> [EMAIL PROTECTED]
> http://members.iinet.net.au/~derbyc
> 
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