Well, the pro market we were speaking of -- medium format digital -- is 
comprised largely of big buck shooters. It ain't wedding photographers. And 
it's a small market. I was merely pointing out why I think Pentax chooses not 
to compete, although they did well with that group at one time.
Paul
 -------------- Original message ----------------------
From: "William Robb" <[EMAIL PROTECTED]>
> 
> ----- Original Message ----- 
> From: <[EMAIL PROTECTED]>
> 
> Subject: Re: OT - Mamiya and PhaseOne team up for new digital MedF
> 
> 
> > Pentax did very well in the pro market with the 6x7. For more than three 
> decades. It was the 
> > camera of choice among the New York fashion photogs. And it got wide use 
> > from 
> the big-buck 
> > location shooters. The 645 did fairly well too, although I think it was 
> > more 
> of a MF upgrade 
> > for advanced hobbyists. But the pro market is small, and it's probably not 
> > in 
> Pentax's best 
> > interest to try and compete there, given the development and marketing 
> > costs.
> 
> The big buck photographers you are so fond of using when you have a point to 
> make probably count 
> for 1/100 of 1% of the total pro market. They aren't statistically 
> significant.
> In all my years shooting weddings, I never met another pro photographer 
> shooting 
> Pentax 
> anything.
> The Mamiya 67 was the camera of choice for a huge number of studio and 
> wedding 
> shooters and 
> wedding photographers were using lots of Mamiya 645s as well.
> I don't know if Mamiya was bigger than Hasselblad in the pro market, but I do 
> know that Pentax 
> pretty much wasn't in the game.
> 
> William Robb
>  
> 
> 
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