Guess every story has at least two sides... The first lens I bought came
with the Km body (1976), and I made lots and lots of pics with the 50mm
1.4 before I bought a 28mm and a 135mm - and discovered I was often too
wide or too narrow and had to use the 28 and crop.
Using dad's cameras was a little different - I very often carried only
the 35mm and the 90mm. So far, and assuming 35mm film as default format,
most of my photos fall into "normal" 28~40 range, "close enough" 50~90,
with secondary categories being "far" 135~, and "wide" ~24. In
particular, "wide" is where my 24mm very often is not enough. The same
goes for "away", but not often. I can (if I really really need) use a 2x
and once or twice I borrowed long teles - wich seem more likely to find
than under-24mm lenses around here.
Now I can and do try a different angle if I'm too wide for that far away
pic, and if not wide enough I'll try a different angle of the story -
but as soon as I can spare the cash I'll add lenses, starting from those
I need most. From the pics I feel like trying, right now I'll go
wider... wich is a problem since right now I need a smaller format than
35mm. Looking for the 10~20 to pair with my future digital aps Pentax
may solve these problems.
You have a point about most of my photos - they're likely to keep coming
from the 28~135mm range (35mm equivalent). But there is always something
new to try isn't it?
LF
Anthony Farr escreveu:
The overall impression I get from the "Panasonic G1 ... example photo @ ISO
1000" discussion is that many photographers aspire to wider and yet wider
fields of view.
But lately I've observed that my best photographs mostly have normal to
narrow fields of view. As tempting as it is to put on a wide lens and
capture the whole scene, I've been striving to exercise some self discipline
and choose the longest focal length that works. Sometimes I even try to use
a longer lens than is comfortable, and select that small part of the scene
that tells the story.
A tele shot seems to have a cleanness and tightness that distils and
concentrates a story. Wide shots can often capture objects unrelated to the
subject that will dilute a story(expansive landscapes excepted).
In a nutshell - I tend to desire wide-angle lenses, but I'm better off using
normal or long lenses.
Regards, Anthony
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Luiz Felipe
luiz.felipe at techmit.com.br
http://techmit.com.br/luizfelipe/
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