Luiz Felipe wrote:
Mark Roberts escreveu:
William Robb wrote:
I find for myself, that if I am doing a paid shoot, I, of course,
grab whichever lens is required, and often that is a very wide angle
When doing a paid shoot, going a little wider than what you *expect*
to need is usually better: You have to have room to crop off the ends
when a customer wants an 8 x 10 or 11 x 14 print -- and if your frame
everything tightly into the 2:3 ratio of most SLR's you won't be able
to supply prints in these "squarer" print formats without losing
things on the long ends of the frame.
When I worked at the photo store we had a number of "professional"
photographers who couldn't seem to grasp this concept.
>Mark, I sometimes made lines on the Lx and Hassel groundglasses (in the
>Lx, not the groundglass itself but in the glass cover above it) to mark
>some areas I had to leave completely clean for titles and text.
I've heard of press photographers who had focusing screens made that
showed them where the "National Geographic", "Time" or "Newsweek" logos
would go, so they could be sure to make room. :)
>And
>remember some ground glass with the framing lines to standart print
>sizes. Had some problems myself with family parties, before going for
>money.
We had one customer who took a group shot (20-30 people) with people
spread out all the way to the ends of the frame. One of them wanted an
11 x 14 print and this guy just couldn't understand why we couldn't make
one without either cropping people off the sides or leaving blank white
areas at the top and bottom. Unbelievable.
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