Funny, but I never thought in the "crop factor" mode.

Like Paul, Frank and others, a 50 is a 50 is a 50.

If i want a different angle of view, i move.:-)

Dave

On Fri, Jan 16, 2009 at 12:47 PM, Paul Stenquist
<[email protected]> wrote:
> I thought in equivalent field of view when I first moved to digital. Now
> after tens of thousands of digital photos, I know what the FOV of a given
> lens is on my camera. The 35mm FOVs never cross my mind. My 16-50 is a
> 16-50. Period. At one end it's nice for landscapes and my VTs. At the other
> end, it's a slightly wide portrait lens. Equivalents are for the newbies.
> Paul
> On Jan 16, 2009, at 11:39 AM, frank theriault wrote:
>
>> On Fri, Jan 16, 2009 at 11:12 AM, Joseph McAllister <[email protected]>
>> wrote:
>>>
>>> I solved this problem for myself by NOT using words at all.
>>
>> <snip>
>>
>> I solved the problem, too.  I put a lens on my camera.  I look through
>> the viewfinder.  What I see in the viewfinder mostly corresponds with
>> what's going to show up on the picture.
>>
>> Okay, seriously, I guess I just don't need to know exact
>> equivalencies.  A 16mm will be wider than a 24mm on all bodies -
>> that's about all I need to know.  After nearly a couple of years, I
>> have a pretty good idea what a lens of a given focal length will do on
>> film on my *istD.  Exact numbers don't interest me so much...
>>
>> ;-)
>>
>> cheers,
>> frank
>>
>>
>> --
>> "Sharpness is a bourgeois concept."  -Henri Cartier-Bresson
>>
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-- 
Equine Photography
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
Ontario Canada

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