----- Original Message -----
From: Bruce Dayton
Subject: Re[4]: call for enablers! BRUCE DAYTON NEEDS A 67II!


> Aaron,
>
> Great!  Look forward to viewing them.  On a different vein,
how does
> the 67 fare for shooting portraits?  Groups I would assume the
75mm,
> individuals maybe the 165?

I know, I'm not Aaron.
I love the 6x7 as a portrait camera. While I bought it primarily
for landscapes, I quickly found that the ergonomics of the
camera lend itself to being used handheld at eye level. For me,
this is the preferred camera placement for portraits, as it puts
the viewers perspective at a reasonable height.
This has always been my gripe with waist level finders. The
camera is too low to give a comfortable perspective to the
viewer. This is also why I laugh at the big move photographers
who do the knee drop to shoot wedding processions. All of a
sudden, the camera is looking up at the subject. Bad camera
placement.
The traditional box shaped MF SLR cameras (Hassy, Bronica,
Mamiya, etc) all share what for me is a basic ergonomic flaw:
they are designed to be used as a waist level, so they are not
comfortable to use with an eye level finder. Tripod mounting
helps, but I like to shoot studio portraits hand held.
The 6x7 is great for this sort of fun.
I have the "Other Bow-Wow Takumar"� 75mm f/4.5 lens. It is a
good group portrait lens, but it is just not really a great
lens. If you can back up far enough, the 90mm is good.
For individual portraits, the 165 or 200 are both nice lenses.
The old 200 is not a stellar lens, but it is more than adequate,
considering the degree of enlargement the 2 1/4 x2 3/4 negative
usually gets.
Remember, a 20 x 24 is the same amount of enlargement in this
format as 8x10 is in 35mm.

Bruce, your pictures really do deserve a Pentax 6x7.
I may make that into a sig file.

William Robb
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