Second. I also agree with Igor's crop suggestion. The first one doe shave it's charms but the second is just a stronger image.
A K10D? How quaint. - a fellow "tenner" On Tue, May 11, 2010 at 11:59 AM, Igor Roshchin <s...@komkon.org> wrote: > > Right this second, I second that second. > :-) > > For a stronger impression, I would consider cropping it to a square - > left of his shoulder and right of the end of the guitar neck, - > in the area of the turning keys. > > Igor > > > Tue May 11 10:25:19 CDT 2010 > Jack Davis wrote: > > Second. > > Jack > > --- On Tue, 5/11/10, Charles Robinson <charlesr at visi.com> wrote: > >> From: Charles Robinson <charlesr at visi.com> >> Subject: PESO: Blurry or Clear? >> To: "Pentax-Discuss Mail List" <pdml at pdml.net> >> Date: Tuesday, May 11, 2010, 7:34 AM >> I was at a concert this weekend, and >> came up with (among other things) a pair of photos I >> couldn't decide between, so I included them both in the >> gallery. >> >> I usually only like photos which I can describe as being >> "reasonably sharp". Now, when shooting low-light >> high-movement subjects such as a rock concert, that's >> sometimes an unachievable goal. Nonetheless, this is >> the first blurry shot I've taken which I actually like. >> >> So, I'm sorta curious: which do you prefer? The first >> blurry shot, or the moderately-clear shot taken 5 seconds >> later? >> >> Blurry (1/15 sec): >> http://charles.robinsontwins.org/photos/2010/honeydogs_firstave/content/IMGP1150_large.html >> >> Clear (1/25 sec): >> http://charles.robinsontwins.org/photos/2010/honeydogs_firstave/content/IMGP1152_large.html >> >> >> -Charles > > > -- > PDML Pentax-Discuss Mail List > PDML@pdml.net > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. > -- Steve Desjardins -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
