I am no expert on macro, but afaik, fast lenses aren't preferred for extreme 
close-up. For 50mm, f1.7 or f2 is preferred.

regards,
Alan Chan

>I am looking at permanently attaching a 50 mm lens reverse mounted on
>my bellows - I usually use my FA50f1.4, but I'm starting to get annoyed
>with taking it apart and putting it back together again.  The question
>I need answered is, as I'm going to dedicate a lens to the bellows,
>which one would be best for my needs?
>
>I generally shoot with the lens stopped down to f16 or f22 to get the
>greatest depth of field.  My subjects are 3 dimensional, so a flat
>field of focus is not 100% necessary.  My subjects also tend to hide
>from bright lights, so I can't use extra light to help me focus, and at
>full extension of the bellows and a 2 times converter between the
>camera and bellows (7 times magnification to the film), any extra light
>is a bonus.
>
>I'll probably end up with a K or M f1.4 or a K f1.2, but the closest I
>have come to an f1.2 is picking one up at a swap meet, so I have no
>idea of it's optical performance compared with an f1.4 (particularly
>reverse mounted on bellows for macro use).
>
>So my question to all you knowledgable people out there is: is a 50 mm
>f1.2 as sharp as an f1.4 when stopped down between f11 and f22, and is
>there anything you know about these lenses that I should know before I
>go out and try to buy one?
>
>Any and all help is greatly appreciated.


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