Hi Leon,

IIRC, the instruction booklet for my bellows advises against anything
faster than f1.7, though it doesn't give a reason. A cheap A 50/2 works
just fine on mine, but I haven't added a teleconverter to it so I couldn't
guess whether it would be bright enough to focus.

Dan Scott
[EMAIL PROTECTED]

>Hi all,
>
>I am looking at permanently attaching a 50 mm lens reverse mounted on
>my bellows - I usually use my FA50f1.4, but I'm starting to get annoyed
>with taking it apart and putting it back together again.  The question
>I need answered is, as I'm going to dedicate a lens to the bellows,
>which one would be best for my needs?
>
>I generally shoot with the lens stopped down to f16 or f22 to get the
>greatest depth of field.  My subjects are 3 dimensional, so a flat
>field of focus is not 100% necessary.  My subjects also tend to hide
>from bright lights, so I can't use extra light to help me focus, and at
>full extension of the bellows and a 2 times converter between the
>camera and bellows (7 times magnification to the film), any extra light
>is a bonus.
>
>I'll probably end up with a K or M f1.4 or a K f1.2, but the closest I
>have come to an f1.2 is picking one up at a swap meet, so I have no
>idea of it's optical performance compared with an f1.4 (particularly
>reverse mounted on bellows for macro use).
>
>So my question to all you knowledgable people out there is: is a 50 mm
>f1.2 as sharp as an f1.4 when stopped down between f11 and f22, and is
>there anything you know about these lenses that I should know before I
>go out and try to buy one?
>
>Any and all help is greatly appreciated.
>
>
> Leon
>
>http://www.bluering.org.au
>http://www.bluering.org.au/leon
>-
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