----- Original Message -----
From: "T Rittenhouse"
Subject: Re: Am I Really a Dinosaur?


> As I have said before, I think snapshots, media, and other
immediate
> photography will wind up being 100% digital. While fine arts
and other of
> the more contemplative fields of photography will be silver
based for a long
> time to come.

I disagree regarding the snapshooter. Here is why.
The cost of admission to digital is, and will likely stay, very
high compared to film. For the casual snapshooter, prints are
the desired medium for viewing photographic images. I submit
that the demise of the slide show in the mid sixties when colour
prints became common as evidence of this consumer preference.
I do wonder how reportage and news photography will convert to
digital. There is still that little thing called a negative that
can be used to prove the truth of the photograph. A digital file
lacks that quality.

>
> As Bill says there is no reason the two have to be exclusive
of each other,
> especially as the internet makes niche markets more and more
profitable.
> This presupposes that our fine lawmakers don't decide to make
film illegal.

This is a very real possibility. So far the photofinishing
industry has been pretty much left alone WRT the lawmakers and
EPA types. We recover silver from our effluent, and then dump
the waste chemistry into the sewer. This is common practice, and
is how all labs that I have seen operate.
All it would take is for some activist group to get a bandwagon
going, and the whole methodology for waste chemical disposal
(which, BTW, is less harmfull than dish detergent) would be
thrown into chaos.
This would impact the price and availability of photo
processing.
I know in Canada, the government is pretty good at passing knee
jerk laws that have the effect of bludgeoning a problem to
death. If the American experience is similar, the industry could
well have some problems coming it's way.

William Robb
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