Wow, Stan, another K7, two K5's, a couple of fast primes and the
50-135.  Would you mind talking to my spouse sometime?  I just can't
make it sound this reasonable.

On Tue, Jan 11, 2011 at 5:52 PM, Stan Halpin
<[email protected]> wrote:
> If you want fast, there is always the PK-A 50/1.2 . . .
>
> My vote:
> a. Stick with what you have for a meet or two. Even better, take a bunch of 
> photos at practice sessions; if experiments don't work out, it won't be quite 
> as painful as missing out on a great shot during competition. Evaluate what 
> focal length(s) you are most often using. Play with the processing. Think 
> about the output media (are these for wall-sized prints? 4x6's for the 
> grandparents? viewing on a PC?) and how much sharpness etc you really need.
> b. Then -
>        1. go with one or two fast primes. Wider is better, you can always 
> crop later.
>                1.1 If you decide to go with two primes, buy a second K-7.
>        2. after 6 months, then buy the K-5 (or two of them).
>                2.1 Keep one of the K-7's as a backup, mount your 50-135 on it 
> . . .
>
> stan
>
> On Jan 10, 2011, at 9:51 PM, Christine Nielsen wrote:
>
>>>
>>> Aside from a 50 1.4, which is substantially faster than your 50-135 but not 
>>> long enough for the most part, anything faster than the lens you're using 
>>> would have to be a prime, and an expensive one at that. And  you won't have 
>>> the flexibility that a zoom gives you for this type of work. The 50-135 is 
>>> an excellent and relatively fast lens. Go for the K-5.
>>> Paul
>>
>> I got to play with the 50/1.4 a couple of months ago, when the Pentax
>> road show came to town.  I've never shot with anything that fast, and
>> it was *amazing*.  I think you're right that the zoom is better for
>> this situation, but that one is still on my wish list.
>>
>> Along with a k-5.
>>
>> And an upgrade to cs5.
>>
>> Thanks for your input, Paul. ( I noticed you voted twice, but I can
>> only count it once...  ;)  )
>>
>> -c
>>
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-- 
Steve Desjardins

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