Thanks Paul. My opinion and experience is appreciated.

The modell told me he _really_ liked the first one. Maybe you have put
words on why?

Let me explain why I explore these odd angles, to see if I can make them work.

I am looking for something different. There is so many portraiters
doing the same thing, using the same aesthetic. I want to do something
that makes me a slightly different portraitist. I think I must be
different to differentiate myself from the comptetition.
I do find errors in what I've done here, but I think I should keep
looking for a while.

--
MaritimTim

http://maritimtim.blogspot.com/



2011/3/24 Paul Stenquist <[email protected]>:
> I had looked only at the first. I went back to see the rest. I agree in 
> regard to the odd camera positions, as noted by Bruce below, although I think 
> the second shot (first color) is okay in that regard. But I find a bit too 
> dark and oversaturated.
> On Mar 23, 2011, at 7:20 PM, Bruce Walker wrote:
>
>> On 11-03-23 6:25 PM, Tim Øsleby wrote:
>>> Meet my college Ole Dan Johnson (four picks)
>>> http://maritimtim.blogspot.com/2011/03/o-d-johnson.html
>>>
>>> I lust for comments. I need to learn fast.
>>
>> Tim, I *really* like the b&w headshot best.
>>
>> I have a couple of issues with the 2nd and 3rd seated shots. To me they make 
>> your subject look diminutive. Part of that is your PoV: above looking down. 
>> For male subjects especially, I'd prefer eye-level or very slightly lower 
>> that eye-level looking up.  And I think you may have compounded the odd size 
>> issue by getting close with a wide angle lens. That causes the subject's 
>> head to be disproportionately large relative to his feet.
>>
>> Sorry for being so negative!
>>
>> -bmw
>>
>>
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