All the Kodak 160 speed pro color films seem to work better at 100-125.
Paper and chemistry is easier calibrated to work with the same manufactures
film, but if the lab is sharp it should not be a major problem.

Ciao,
Graywolf
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----- Original Message -----
From: tom <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, February 23, 2002 1:41 PM
Subject: Portra Films


> I went to the lab today to pick up some color proofs, and the guy who owns
and runs the place took me aside.
>
> "Tom, we need to have the Portra talk."
>
> Uh oh.
>
> In a nutshell, he told me that that portra films had been formulated with
a "crossover" to match Kodak paper. Any other paper would give a color cast.
He had done quite a
> bit of testing, thinking maybe his equipment was off, or chemicals were
bad or something, but narrowed it down to the film.
>
> On top of that, he thinks they're overrated in terms of speed.
>
> I hadn't noticed these problems. As far as the color issue goes, as long
as whites are sufficiently white and skin isn't too red, I'm pretty happy.
I'm probably pretty easy to
> please in this respect. I hadn't noticed an underexposure issue
either...when I think of underexposed color negs, I think of the brown
"crud" you get in the shadows, and I
> haven't seen any of that.
>
> Anyone else aware of this?
>
> On one hand, I've been happy with the prints I get from this lab, and if
he hadn't said anything I probably would have never noticed. OTOH, I trust
this guy, he's very detail-
> oriented, conscientious and well-informed.
>
> I've got about 80 rolls of Portra to burn through, but after that I'll
probably give Fuji a try....
>
> tv
> -
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> visit the Pentax Users' Gallery at http://pug.komkon.org .
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