Sorry, the link is here...
http://www.technologyreview.com/communications/14063/

On Fri, Sep 16, 2011 at 11:01 AM, Bob Sullivan <[email protected]> wrote:
> Stan,
> Here's what the editor of 'Technology Review' said about their change
> in Jan. 2005.
> Not the technical proof I'd hoped for.
> Regards,  Bob S.
>
> On Thu, Sep 15, 2011 at 9:38 PM, Stan Halpin
> <[email protected]> wrote:
>> Ann, I was a bit surprised by Mark's  earlier comment that this attitude is 
>> more opinion than scientifically derived Truth, or words to that effect. I 
>> coulda' sworn that I had read a couple of articles on the topic in Human 
>> Factors or IEEE-SMC a few decades ago. I did a quick search, starting and 
>> ending with Wikipedia, and found that the apparent consensus is that there 
>> is no solid evidence one way or the other.
>>
>> stan
>>
>> On Sep 15, 2011, at 7:50 PM, Ann Sanfedele wrote:
>>
>>>
>>>
>>> On 9/15/2011 15:03, Bob Sullivan wrote:
>>>> John,
>>>> Some years ago, 'Technology Review' changed fonts to Arial (I believe)
>>>> and stopped hyphenating words, and left justified all columns instead
>>>> of centering and padding lines to justify both left and right sides.
>>>> I find this method more enjoyable and natural.  MIT, who publishes the
>>>> magazine, claimed it was technically better for the reader.
>>>> Regards,  Bob S.
>>>>
>>>> On Thu, Sep 15, 2011 at 12:36 AM, John Coyle<[email protected]>  wrote:
>>>>> Interesting discussion: a journal I edit has just been criticised for 
>>>>> using a sans-serif
>>>>> font (Arial 10-point) as body text.  My reaction was that it's a 
>>>>> modern-looking, clean and
>>>>> easy-to-read font .
>>>>> Any comments?
>>>>>
>>>>> John Coyle
>>>>> Brisbane, Australia
>>>
>>> I recently read something on line where the opinion was put forth that san 
>>> serif fonts were fine / nice to read on line but that erif font's were 
>>> easier to read in print - especially newsprint sized print.  I tend
>>> to agree.  Of course, I can't read 10 point in print without pain anyway :-)
>>>
>>> ann
>>>
>>>
>>>
>>>
>>>
>>>>>
>>>>>
>>>>>
>>>>> -----Original Message-----
>>>>> From: [email protected] [mailto:[email protected]] On Behalf Of 
>>>>> Paul Stenquist
>>>>> Sent: Thursday, 15 September 2011 11:08 AM
>>>>> To: Pentax-Discuss Mail List
>>>>> Subject: Re: PESO - Healing Vibrations
>>>>>
>>>>>
>>>>> On Sep 14, 2011, at 8:54 PM, Mark Roberts wrote:
>>>>>
>>>>>> Paul Stenquist wrote:
>>>>>>
>>>>>>> I hate comic sans.  Chalkboard is slightly better, but it's still a 
>>>>>>> silly font.
>>>>>>> As far as being an imitation goes, that's true of many, many  fonts.
>>>>>>> Futura is an imitation of Helvetica,
>>>>>>
>>>>>> Futura predates Helvetica by about 25 years. (Arial is the imitation
>>>>>> Helvetica.)
>>>>>>
>>>>>
>>>>> Well then, Helvetica is an imitation of Futura:-). In truth, I can see 
>>>>> that arial is
>>>>> closer to helvetica than is futura.
>>>>>
>>>>> My point is that many fonts differ only slightly from their bretheren. 
>>>>> There are so many
>>>>> fonts available that choosing one over the other is usually just 
>>>>> splitting hairs. I
>>>>> recently had to help write specs for a magazine redesign. Since i'm no 
>>>>> font expert, I
>>>>> merely looked at what was used in the pubs that won awards. (The majority 
>>>>> of  mags use two
>>>>> fonts, with a san serif in headlines and a serif in body copy, with some 
>>>>> playful switching
>>>>> here and there.) The resulting recommendation was adobe garamond pro  and 
>>>>> arial. They are,
>>>>> of course, totally different, so they're happy together
>>>>>
>>>>>
>>>>> --
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