I'm an old fashioned guy.  Comic sans for funny stuff, Times New Roman
for papers, Arial for posters.  More than that I get a headache trying
to pick.

On Fri, Sep 16, 2011 at 12:06 PM, Bob Sullivan <[email protected]> wrote:
> Sorry, the link is here...
> http://www.technologyreview.com/communications/14063/
>
> On Fri, Sep 16, 2011 at 11:01 AM, Bob Sullivan <[email protected]> wrote:
>> Stan,
>> Here's what the editor of 'Technology Review' said about their change
>> in Jan. 2005.
>> Not the technical proof I'd hoped for.
>> Regards,  Bob S.
>>
>> On Thu, Sep 15, 2011 at 9:38 PM, Stan Halpin
>> <[email protected]> wrote:
>>> Ann, I was a bit surprised by Mark's  earlier comment that this attitude is 
>>> more opinion than scientifically derived Truth, or words to that effect. I 
>>> coulda' sworn that I had read a couple of articles on the topic in Human 
>>> Factors or IEEE-SMC a few decades ago. I did a quick search, starting and 
>>> ending with Wikipedia, and found that the apparent consensus is that there 
>>> is no solid evidence one way or the other.
>>>
>>> stan
>>>
>>> On Sep 15, 2011, at 7:50 PM, Ann Sanfedele wrote:
>>>
>>>>
>>>>
>>>> On 9/15/2011 15:03, Bob Sullivan wrote:
>>>>> John,
>>>>> Some years ago, 'Technology Review' changed fonts to Arial (I believe)
>>>>> and stopped hyphenating words, and left justified all columns instead
>>>>> of centering and padding lines to justify both left and right sides.
>>>>> I find this method more enjoyable and natural.  MIT, who publishes the
>>>>> magazine, claimed it was technically better for the reader.
>>>>> Regards,  Bob S.
>>>>>
>>>>> On Thu, Sep 15, 2011 at 12:36 AM, John Coyle<[email protected]>  wrote:
>>>>>> Interesting discussion: a journal I edit has just been criticised for 
>>>>>> using a sans-serif
>>>>>> font (Arial 10-point) as body text.  My reaction was that it's a 
>>>>>> modern-looking, clean and
>>>>>> easy-to-read font .
>>>>>> Any comments?
>>>>>>
>>>>>> John Coyle
>>>>>> Brisbane, Australia
>>>>
>>>> I recently read something on line where the opinion was put forth that san 
>>>> serif fonts were fine / nice to read on line but that erif font's were 
>>>> easier to read in print - especially newsprint sized print.  I tend
>>>> to agree.  Of course, I can't read 10 point in print without pain anyway 
>>>> :-)
>>>>
>>>> ann
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> -----Original Message-----
>>>>>> From: [email protected] [mailto:[email protected]] On Behalf Of 
>>>>>> Paul Stenquist
>>>>>> Sent: Thursday, 15 September 2011 11:08 AM
>>>>>> To: Pentax-Discuss Mail List
>>>>>> Subject: Re: PESO - Healing Vibrations
>>>>>>
>>>>>>
>>>>>> On Sep 14, 2011, at 8:54 PM, Mark Roberts wrote:
>>>>>>
>>>>>>> Paul Stenquist wrote:
>>>>>>>
>>>>>>>> I hate comic sans.  Chalkboard is slightly better, but it's still a 
>>>>>>>> silly font.
>>>>>>>> As far as being an imitation goes, that's true of many, many  fonts.
>>>>>>>> Futura is an imitation of Helvetica,
>>>>>>>
>>>>>>> Futura predates Helvetica by about 25 years. (Arial is the imitation
>>>>>>> Helvetica.)
>>>>>>>
>>>>>>
>>>>>> Well then, Helvetica is an imitation of Futura:-). In truth, I can see 
>>>>>> that arial is
>>>>>> closer to helvetica than is futura.
>>>>>>
>>>>>> My point is that many fonts differ only slightly from their bretheren. 
>>>>>> There are so many
>>>>>> fonts available that choosing one over the other is usually just 
>>>>>> splitting hairs. I
>>>>>> recently had to help write specs for a magazine redesign. Since i'm no 
>>>>>> font expert, I
>>>>>> merely looked at what was used in the pubs that won awards. (The 
>>>>>> majority of  mags use two
>>>>>> fonts, with a san serif in headlines and a serif in body copy, with some 
>>>>>> playful switching
>>>>>> here and there.) The resulting recommendation was adobe garamond pro  
>>>>>> and arial. They are,
>>>>>> of course, totally different, so they're happy together
>>>>>>
>>>>>>
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>>>>
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-- 
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