Bill's comment, about 17 posts back:

"That would be the f-- message?
People seem to expect the camera to start playing Il Trovatore
whenever there is a wrong setting.
Perhaps the Japanese needed a deeper history in opera."

Sorry to create the distraction.


On Tue, Sep 27, 2011 at 9:12 PM, Paul Stenquist <[email protected]> wrote:
> I get it. Hard to keep up with this one. I went left at the fork and ran into 
> a dead end.
>
> On Sep 27, 2011, at 8:52 PM, Bruce Walker wrote:
>
>> Yeah, it's a forking thread error, Paul.
>>
>>
>> On 11-09-27 8:45 PM, Paul Stenquist wrote:
>>> On Sep 27, 2011, at 8:41 PM, Steven Desjardins wrote:
>>>
>>>> What verbal adjective begins with f, is frequently not written out by
>>>> replacing it's letters by placeholders, and is often used by
>>>> passionate people like our friend Bill?
>>> I get that, but it's not in this thread, which appears to be about shooting 
>>> jpegs and includes no comments from Bill.  Perhaps it was in another branch 
>>> of the thread. I skipped most of it, so I wouldn't know.
>>>
>>>
>>>> On Tue, Sep 27, 2011 at 8:28 PM, Paul Stenquist<[email protected]>  
>>>> wrote:
>>>>> On Sep 27, 2011, at 8:25 PM, Steven Desjardins wrote:
>>>>>
>>>>>> "That would be the f-- message?"
>>>>>>
>>>>>> Seriously Bill, at first i thought you were just cussing.
>>>>>
>>>>> Huh???
>>>>>>
>>>>>> On Tue, Sep 27, 2011 at 8:01 PM, Paul Stenquist<[email protected]> 
>>>>>>  wrote:
>>>>>>> On Sep 27, 2011, at 7:07 PM, Bruce Walker wrote:
>>>>>>>
>>>>>>>> On 11-09-27 5:38 PM, John Sessoms wrote:
>>>>>>>>> From: Larry Colen
>>>>>>>>>> I just ran across my photos from burning man a year ago where I
>>>>>>>>>> hadn't realized that my freshly repaired K20 had been reset to the
>>>>>>>>>> factory default of "shoot jpeg".  If I cared so little about my
>>>>>>>>>> photos that I wanted to shoot JPEGs, I wouldn't spend the money on a
>>>>>>>>>> DSLR.
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>> If you get the exposure (and white balance, and ...) correct in 
>>>>>>>>> camera JPEG is all you need.
>>>>>>>> The best film-days analogy I have is that shooting straight to JPEG is 
>>>>>>>> like shooting Polaroids, and shooting RAW is like shooting negatives.  
>>>>>>>> The Polaroid gives you the convenience of straight to finished 
>>>>>>>> picture, at the expense of doing any darkroom work.
>>>>>>>>
>>>>>>>> Everyone shoots differently and decides what convenience level they 
>>>>>>>> prefer and what they'll give up for it. For me, the RAW image I get in 
>>>>>>>> the camera is just the beginning of the journey to a finished image. I 
>>>>>>>> don't publicly display a single image, not one, that I can say is 
>>>>>>>> Straight Out Of Camera. I have lots of images that I've never edited, 
>>>>>>>> but it's because they haven't been flagged as keepers for further work.
>>>>>>>>
>>>>>>>> -bmw
>>>>>>> I agree with Bruce. Although I might compare shooting jpegs to shooting 
>>>>>>> transparency film, while shooting RAW is more like shooting negative 
>>>>>>> film. However, RAW conversion gives you many more options for image 
>>>>>>> improvement than does printing a negative. For example, you can set the 
>>>>>>> white point and black point to suite the image perfectly, and you can 
>>>>>>> adjust contrast and brightness in the midrange without changing those 
>>>>>>> end point values. You can fill shadow areas with a bit of light while 
>>>>>>> leaving the rest of the image virtually untouched. You can fine tune 
>>>>>>> your saturation and white point. And more. The only time I shoot jpegs 
>>>>>>> is when I have to produce 500 frames for virtual tours. But for 
>>>>>>> anything else, it's RAW. I'd be lost without the control that RAW 
>>>>>>> affords.
>>>>>>> Paul
>>
>>
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-- 
Steve Desjardins

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