If the instructions in the book are for Photoshop's Channel Mixer,
just be aware that you are working there with the RGB channel data,
post raw-conversion. This is close but not quite exactly the same as
applying channel modifications on the raw data, which is what you're
doing in LR normally.

I'm not so much interested in getting a "film look" or emulating a
particular film's spectral characteristics as in making a good
monochromatic rendering. The translation of color tone to grayscale
tones is a subtle thing as you have to find ways to separate colors
which would otherwise render to the same perceptual tone on luminance
alone.



On Fri, Jan 6, 2012 at 12:12 PM, Christine Aguila <christ...@caguila.com> wrote:
> I bought an ebook entitled Black and White in Photoshop CS4 & Lightroom: A 
> complete integrated workflow solution for creating stunning monochromatic 
> images in Photoshop CS4, Photoshop Lightroom, and beyond by L. Alsheimer & B. 
> O'Neil Hughes.
>
> It's good enough so far and helping to fill in knowledge gaps (big ones) WRT 
> black and white rendering--skills I hope to improve this year.  Anyway, 
> there's a section on the Channel Mixer in Photoshop and how to use said 
> feature to replicate various film stocks--even a chart is included with the 
> channel mixer values, as shown below.
>
> Being a Lightroom user, can I just use the *black and white mix sliders* in 
> the develop mode--that is, dial in the Red Green and Blue values suggested in 
> the chart, then zero out the values for Orange, Yellow, Aqua, Purple, and 
> Magenta?  Or do I have to use Photoshop for this approach?
>
> Here's the chart.  I hope to do some experimenting this afternoon.
>
> Film Type          Red Values    Green Values    Blue Values
> Agfa 200x            18                    41                        41
> Agfapan 25          25                    39                        36
> Agfapan 100       21                    40                         39
> Agfa pan 400      20                      41                       39
> Ilford Delta 100   21                     42                        37
> Ilford Delta 400
> Pro & 3200           31                     36                        33
> Ilford FP4              28                     41                         31
> Ilford HP5              23                    37                          40
> Ilford Pan F           3                       36                         31
> Ilford SFX              36                     31                         33
> Ilford XPx Super    21                    42                        37
> Kodak Tmax 100  24                     37                        39
> Kodak Tmax 400   27                  36                        37
> Kodak Tri-X             25                  35                        40
>
> In my ebook, this is on page 2970.  lol

-- 
Godfrey
  godfreydigiorgi.posterous.com

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