nothing wrong with high magnification macro, but its not
general purpose macro which includes both high and medium
and lower magnification work.

-----------------
J.C.O'Connell
[email protected]
-----------------

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of Mark
C
Sent: Monday, February 13, 2012 8:38 PM
To: Pentax-Discuss Mail List
Subject: Re: What would you do with a 50 1.2

On 2/13/2012 8:24 PM, JC OCONNELL wrote:
> try shooting someething the size of say, a camera, with a 50mm on a
bellows,
> you cant.
I shoot snow crystals with a 50mm on a bellows, reverse mounted lens 
preferred. Those crystals are a lot smaller than a camera. Who'd want to 
take a macro picture of a camera?
> On 2/13/2012 1:45 PM, JC OCONNELL wrote:
>> 50mm lenses are way too short to use on bellows, they only allow
>> super high magnifications, general purpose macro is out of the
>> question with them, thats why most dedication bellows lenses are
>> 100mm not 50mm.
You are right on that, but there is no need to use bellows for any 
general purpose macro shots.
>> -----Original Message-----
>> From: [email protected] [mailto:[email protected]] On Behalf Of
P.
>> J. Alling
>> Sent: Monday, February 13, 2012 1:22 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: What would you do with a 50 1.2
>>
>> The 1.7 50's are the sharpest of the three designs and have the flattest
>> field of focus, not as flat as a dedicated copy lens, but they're the
>> recommended lens for use with the Pentax Auto bellows, that is if you
>> can't find one of the dedicated bellows lenses of course.
I've used an SMC M50 1.7 for snow crystals and it has been good, better 
than my sample of the A 50 1.4 and better then the M 50 F2. But it was 
not as good (by far) as the M 50mm f4 macro. The SIgma EX 50mm f2.8 is 
also better. The M 50 f4 is probably the best macro lens I've used for 
extreme magnification, but it is dark and hard to focus on a foot or so 
of extension.

- MCC

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